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Mark Schilling
CULTURE / Books
Aug 15, 2015
Memoir of Akira Kurosawa's right-hand man reveals a history of vexed scripts
The films of Akira Kurosawa used to be the gateway into Japanese cinema for many non-Japanese. (That role has since been assumed by the films of Hayao Miyazaki and other animators.)
Japan Times
CULTURE / Film
Aug 12, 2015
Love blooms like incendiary bombs in 'Kono Kuni no Sora'
Veteran scriptwriter Haruhiko Arai spent three decades trying to adapt Yuichi Takai's 1983 novel "Kono Kuni no Sora" ("This Country's Sky") for the screen — and the wait was worth it.
Japan Times
CULTURE / Film
Aug 5, 2015
A more complex portrayal of Emperor Hirohito
Emperor Hirohito, who is posthumously known as Emperor Showa, had a procession of public images during his long reign from 1926 to 1989 — though none were quite accurate.
Japan Times
CULTURE / Film
Aug 5, 2015
Cannibalism and confusion in live-action 'Attack on Titan'
Stories about giants are ancient and universal. It isn't hard to understand why: Children are born into a world populated by big, lurching terrors with bad breath and enormous teeth — or is that Uncle Frank just trying to be chummy?
Japan Times
CULTURE / Film
Jul 29, 2015
'Obon no Ototo' is one director's attempt to portray his real life through a fictional self
'Life imitates art far more than art imitates life," quipped Oscar Wilde, but in the film world mining one's own life for the sake of art — or rather, a script — is an ancient and hallowed practice. The resulting film, however, may have only a tenuous relationship with the filmmaker's actual biography....
Japan Times
CULTURE / Film / Wide Angle
Jul 29, 2015
Tokyo International Film Festival promises a more diverse selection this year
Second-guessing the programming of the annual Tokyo International Film Festival is a favorite sport of movie types in Japan — I've been doing it myself for years.
Japan Times
CULTURE / Film
Jul 22, 2015
War in the jungle and war in Japan
Actor and director Shinya Tsukamoto often takes violence to strange extremes. In his first film, the 1989 horror "Tetsuo" ("Tetsuo: The Iron Man"), a businessman accidentally kills a crazed metal fetishist (played by Tsukamoto himself) with his car and, becoming "infected" by his victim, horrifically...
Japan Times
CULTURE / Film
Jul 22, 2015
A second look at bloody WWII novel 'Fires on the Plain'
Japanese war films typically frame themselves as anti-war, even when they glorify the sacrifices made by brave Japanese boys in defense of the homeland, as in the 2013 hit "Eien no Zero" ("The Eternal Zero").
CULTURE / Film / Wide Angle
Jul 15, 2015
Hayao Miyazaki cleans up Japan
Rich, famous, semi-retired people commonly take up good causes (based on whatever they define as "good"), but animation maestro Hayao Miyazaki does things differently.
Japan Times
CULTURE / Film
Jul 15, 2015
Successor to Hayao Miyazaki's throne turns Shibuya into a realm of beasts
Mamoru Hosoda ranks first among the Japanese animation directors seen as successors to now-retired industry giant Hayao Miyazaki — and for good reason.
Japan Times
CULTURE / Film
Jul 8, 2015
Mass murder and Sion Sono
A disturbed individual kills, and the media searches for reasons why. Sometimes, the killer obligingly cites a pop culture phenomenon as inspiration. Mark David Chapman, the man who shot John Lennon, saw himself as the living embodiment of Holden Caulfield, the hero of J.D. Salinger's "The Catcher in...
Japan Times
CULTURE / Film
Jul 8, 2015
Rural migration, shaved ice and no easy endings in 'Umi no Futa'
Why not abandon your stressed urban existence, move to a picturesque part of the world and live the simple life? An old dream, but still powerful, as shown by the recent spate of Japanese movies about women getting back their grooves by relocating to a beautiful middle-of-nowhere. Usually their dream...
Japan Times
CULTURE / Film
Jul 1, 2015
Sion Sono is back with buckets of blood and a three-faced heroine in 'Tag'
Sion Sono is a director of extremes — including an extreme dislike of being categorized. Just when you thought you had him pegged as a maker of violent black comedies with classical music scores, such as "Ai no Mukidashi"("Love Exposure"), he turns out heartfelt, albeit still violent, dramas with nuclear...
Japan Times
CULTURE / Film
Jun 24, 2015
Slowing a spiral of negativity in Mipo Oh's 'Being Good'
When I was a student teacher at an elementary school in Livonia, Michigan, I saw some things that shocked me. Once I watched a male teacher grabbing a disruptive fourth-grader by the neck and forcing his head toward the floor, while pouring out a stream of sarcastic abuse upon him.
Japan Times
CULTURE / Film
Jun 17, 2015
Hirokazu Koreeda on his new drama about women with 'shadows'
When Hirokazu Koreeda's gently offbeat family drama "Umimachi Diary" ("Our Little Sister") was screened in competition at this year's Cannes Film Festival, both audiences and the media were enthusiastic — a story for the Reuters news agency described it as "Palme d'Or material." But instead of being...
Japan Times
CULTURE / Film
Jun 17, 2015
John Junkerman documentary 'Okinawa: The Afterburn' sheds light on the ferocious anger against U.S. bases
The issue of the large U.S. military presence in Okinawa is divisive, deeply rooted and, frankly, one I have never completely understood. Anti-base protests have been going on for decades, and while locals elsewhere in the developed world may have been unhappy with the bases in their vicinity, the Okinawans...
Japan Times
CULTURE / Film
Jun 10, 2015
Japan's toxic prophets are revealed in 'Yokokuhan' adaptation
Directors of the better Japanese commercial films typically carve out thematic or stylistic niches for themselves, so that even if they do a manga adaptation for the masses, it's their kind of manga filmed in their kind of way. One is Yoshihiro Nakamura, a master of mysteries and thrillers with brainteaser...
Japan Times
CULTURE / Film / Wide Angle
Jun 10, 2015
Where to find Japanese films screening in Tokyo with English subtitles
When I first started watching Japanese films at cinemas in Tokyo nearly three decades ago, screenings with English subtitles were nonexistent. I spent a month with my Japanese teacher at the time studying the script of Akira Kurosawa's "Kagemusha"("The Shadow Warrior") so I could puzzle out its feudal-era...
CULTURE / Film
Jun 3, 2015
Director Kawase disregards criticism of her sentimental leprosy drama 'An'
When I first interviewed Naomi Kawase in 1998, after she won the Cannes Film Festival's Camera d'Or award for her first feature, "Moe no Suzaku" ("Suzaku"), I remarked on her "quietly stubborn determination" to persist in the face of various detractors. If anything, criticism has increased in the intervening...
Japan Times
CULTURE / Film
Jun 3, 2015
Director Naomi Kawase has finally made a 'real Japanese film'
Sooner or later, many Japanese directors — be they internationally acclaimed auteurs or industry outsiders — end up making what Sion Sono (a noted auteur/outsider himself) once described to me as "a real Japanese film." To put it simply, this sort of film is aimed squarely at the domestic audience,...

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