Kaori Shoji - The Japan Times

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Kaori Shoji

Kaori Shoji writes about movies and movie-makers for the Film Page, plus takes a turn at the Bilingual Column. Biggest mistake of her career: taking the very dignified Nagisa Oshima to McDonald's for an iced coffee.

For Kaori Shoji's latest contributions to The Japan Times, see below:

COMMUNITY

May 12, 2000

Keeping your money alive and kicking

Because I come from a family whose men are confirmed gamblers, I grew up thinking that a chronic shortage of o-kane (money) was the normal state in any household. The grownups didn't even call it o-kane but o-ashi (honorable legs), which accounted for the attack of wanderlust money seemed to get when residing under our roof -- its feet would itch, it'd hem and haw and fidget around. The next minute it would be gone, sprinting off in the direction of the nearest pachinko parlor without so much as a backward glance. In my own case, the o-ashi seemed to wear Rollerblades, exiting from my wallet with the enthusiasm of a 10-year-old turned loose in Yoyogi Park.

COMMUNITY

Feb 11, 2000

Words and eras to build character

Kanji is also prone to fashion. During the Meiji Era, the mods were chu (loyalty), kun (lord), ai (love) and koku (nation). Politics were condensed into four characters: fukokukyohei (rich nation, strong army). Kind of taps right into the psyche of the period, doesn't it. And the Taisho Era which marked Japan's brief fling with democracy spawned the use of characters like min (people) and ken (rights).

SUMO

Jan 14, 2000

Wrestling with a national tradition

The more I think about it, the more I'm convinced that sumo is not really a sport. No one calls it spootsu anyway -- sumo is and always has been the kokugi (national skill).

CULTURE / Music

Jan 8, 2000

Oh, the glamour of poetic injustice

Violence aspires to poetry and vice versa in "Death in Granada," an American/Spanish production that sheds a fleeting but eerie light on one of Spain's greatest poets: Federico Garcia Lorca.

CULTURE / Film

Aug 28, 1999

Rooting for a new life on the open road

After a bad day, I pamper myself by mapping out, hour by hour, scene by scene, a fantasy date with Jean Reno.

LIFE / Travel

May 13, 1999

Nishi-Ogikubo -- waist-high in green

Tokyoites complain about Tokyo: its chaotic haphazardness, its sprawling largeness, its adamant refusal to be beautiful. Like the room of a teenage boy, it keeps accumulating things, things, things. Then everything is kicked under the bed and the boy goes out for a cheeseburger. Tokyoites can only shrug like his ticked-off, middle-aged parents: "Kids. What are you gonna do?"

CULTURE / Film

Apr 10, 1999

Making the grade from the couch

When I think of the wealth of America, I think of its national concern for psychological well-being. People will actually set aside a number of hours each week to talk to therapists or attend group. They will go to court to demand justice for such crimes as "emotional damage" and "acute psychological stress."

LIFE / Travel / ON THE ARCHIPELA-GO

Mar 10, 1999

The seductive stench of Yurakucho

"Shall We Meet in Yurakucho (Yurakucho de Aimasho)" was the title of a 1958 megahit number, sung by the king of Japanese blues, Frank Nagai. As Frank described it, Yurakucho was always misty with fog and the collective sighs of hundreds of lovers, the streets were damp with just-fallen rain and lined with graceful willow trees. Distant guitar strumming could be heard from one of the alleys, and the moon overhead was always, always the palest shade of gold.

From easily navigable train stations to the helpfulness of its municipal staff, Tokyo has earned high praise for its commitment to accessibility for disabled travelers.

[Rebroadcast] Japan is doing better on accessibility than you may think

When trying to trace your lineage in Japan, the "koseki" is the most important form of document you'll encounter.

Climbing the branches of a Japanese family tree

By Alex K.T. Martin

SUSTAINABLE JAPAN

Prize winner Maki Imoto catches light with glass

Prize winner Maki Imoto catches light with glass

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