author

 
 

Meta

Donald Richie
Donald Richie began writing regularly for The Japan Times in 1954, initially writing film and stage reviews. In the early '70s he began writing book reviews and continued contributing until 2009. He wrote more than 40 books on Japanese aesthetics, and he is widely considered the pre-eminent expert on Japanese cinema.
For Donald Richie's latest contributions to The Japan Times, see below:
CULTURE / Books / THE ASIAN BOOKSHELF
Sep 2, 2001
More than words can say
WORDS IN CONTENT: A Japanese Perspective on Language and Culture, by Takao Suzuki, translated by Akira Miura Our eyes, says Takao Suzuki, author of this sociolinguistic text, "do not see things objectively and impartially like cameras. Our perceptions are always subject to cultural selection." Indeed, we do not use words to describe things but only to reflect a particular view of them. We are like the blind men who describe the elephant according to what parts of it they touch: It is like a tree if you stroke the leg, like a snake if you handle the trunk.
CULTURE / Books / THE ASIAN BOOKSHELF
Aug 26, 2001
Showing, not telling: the birth of pure film
WRITING IN LIGHT: The Silent Scenario and the Japanese Pure Film Movement, by Joanne Bernardi. Detroit: Wayne State University Press, 2001, 355 pp., 100 illustrations. $39.95 (cloth); $19.95 (paperback) Film evolved differently in different cultures. In the West the cinema was perceived as a new form of photography and could thus develop relatively free of the precedents of prior dramaturgy. In the East, however, particularly in Japan, the first Asian country to create a film industry, cinema was seen as a new form of drama.
CULTURE / Books / THE ASIAN BOOKSHELF
Aug 19, 2001
Way of a puppet dramatist
CHIKAMATSU: FIVE LATE PLAYS, translated and annotated by C. Andrew Gerstle. New York: Columbia University Press, 2001, 234 pp., 60 line drawings, maps and photographs. $39.50. Though the playwright Chikamatsu Monzaemon (1653-1724) has been inaptly called "The Shakespeare of Japan," he remains the single local dramatist of eminence. His accomplishment was to be, as Charles Dunn has said, the first to create "characters of realistic complexity and show the tragedy and pathos of their entrapment by circumstance."
CULTURE / Books / THE ASIAN BOOKSHELF
Aug 12, 2001
To know us is to love us
ONE HUNDRED AND FIVE KEY WORDS FOR UNDERSTANDING JAPAN (Nippon o Shiru Hyakugosho). Tokyo: Corona Books/Heibonsha, 2001, bilingual (Japanese/English) edition. 328 pp. 205 plates, color, b/w. 2000 yen. This country has an abiding faith in the power of understanding. If we just understood each other, our differences would disappear and this uncomprehending world could become one.
CULTURE / Books / THE ASIAN BOOKSHELF
Jul 29, 2001
A lively, authentic Edo view
JAPAN THROUGH AMERICAN EYES: The Journal of Francis Hall -- 1859-1866. Edited, annotated and abridged by F.G. Notehelfer. Boulder: Westview Press, 2001, 466 pp., 33 plates. $30. When Francis Hall arrived in Yokohama in 1859 he found that the place had "all of the newness of a Western town" and that is was just as dangerous. You started out for a walk "by putting a revolver in one pocket and copy of Tennyson in the other."
CULTURE / Books / THE ASIAN BOOKSHELF
Jul 22, 2001
The kimono celebrated
KIMONO. Text and photos by Paul van Riel, introduction and comments by Liza Dalby. Leiden: Hotel Publishing, 144 pp., color photos, $49.95. Folklorist Kunio Yanagita long ago said that "clothing is the most direct indication of a people's general frame of mind." If this is so, what then is one to make of the kimono?
CULTURE / Books / THE ASIAN BOOKSHELF
Jul 15, 2001
Ghosts and goblins
SPIRITS OF ANOTHER SORT: The Plays of Izumi Kyoka, by M. Cody Poulton. Center for Japanese Studies, the University of Michigan, Ann Arbor, 2001, 348 pp., b/w photos, xvi. $60. Izumi Kyoka (1873-1938) was much admired by Tanizaki, with whom he shared an esteem for Edo culture, by Mishima, who cherished his elaborate style, and by Akutagawa, who much admired his handling of supernatural themes and had a volume of Kyoka's open on his desk the day he committed suicide.
CULTURE / Books / THE ASIAN BOOKSHELF
Jul 8, 2001
Wright the dealer, not the builder
FRANK LLOYD WRIGHT AND THE ART OF JAPAN, by Julia Meech. New York: Japan Society/Harry N. Abrams, Inc., 2001, 304 pp., 229 illustrations, including 89 color plates. $49.50. Toward the end of his long and successful career as an architect, Frank Lloyd Wright remembered Japan, the scene of so much of his inspiration.
CULTURE / Books / THE ASIAN BOOKSHELF
Jul 1, 2001
1910 Exhibition remembered
THE BRITISH PRESS AND THE JAPAN-BRITISH EXHIBITION OF 1910. Edited by Hirokichi Mutsu. With a preface by Yonosuke Ian Mutsu and an introduction by William H. Coaldrake. Production: The University of Melbourne: Curzon Press, London. 212 pp., with b/w illustration. Unpriced. This is an enlarged and clarified facsimile edition of the original four volumes devoted to the 1910 Exhibition and its English press coverage, including the initial paper read by Hirokichi Mutsu before the Royal Society of Arts in London.
LIFE / Travel
Jun 26, 2001
The temples of the Nile
To float down the Nile, stopping at the temples, sleeping on my ship -- this was my desire and now I am in a stateroom on the Cheops I, a floating hotel rather than a mere boat, looking at the wharf at Aswan and reading Flaubert's journal of a similar voyage he made in 1849. I notice many of the same things. "The barber, dog barking, children crying, a visit ces dames." Well, not the latter. "The ladies" are nowhere in evidence.
CULTURE / Books / THE ASIAN BOOKSHELF
Jun 24, 2001
Finding nature by design
JAPANESE DESIGN: A Collection. Photographs and text by Kenneth Straiton. Forward by Peter Grilli. Tokyo: Tuttle Shokai, 1999, 160 pp., copiously illustrated, 3,800 yen. Traditionally the Japanese are a patterned people who live in a patterned country, a land where the exemplar still exists, where there is a model for everything, where the shape of something may be as important as its content, and the profile of the country depends upon the contour of living.
CULTURE / Books / THE ASIAN BOOKSHELF
Jun 17, 2001
The bright side of bamboo
BAMBOO IN JAPAN, by Nancy Moore Bess, with Bibi Wein. Tokyo and New York: Kodansha International, 2001, 224 pp., 160 color prints and duo-tone photographs, 5,800 yen. Bamboo, the ancient, ubiquitous grass, is everywhere in Japan. Of the over 1,500 species worldwide, nearly half are found here. It is very much a part of the history and culture of the country; as Basil Hall Chamberlain noted early on, "So extensive is the part played by bamboo in the Japanese domestic economy that the question is rather, what does it not do?"
CULTURE / Books / THE ASIAN BOOKSHELF
Jun 10, 2001
Tanizaki captured in full flow
THE GOURMET CLUB: A Sextet, By Jun'ichiro Tanizaki. Translated by Paul McCarthy and Anthony Chambers. Tokyo/New York: Kodansha International, 2001, 204 pp., 2,800 yen. This is the long-awaited collection of six of Jun'ichiro Tanizaki's shorter works, given us by two of the most eminent of Tanizaki's translators. Including work as early as 1911 and as late as 1955, this volume encompasses some 45 years in the career of one of Japan's greatest modern writers.
CULTURE / Books / THE ASIAN BOOKSHELF
Jun 3, 2001
Housing for human beings
THE JAPANESE HOUSE: Architecture and Interiors. Photographs by Noboru Murata, text by Alexandra Black. Boston/Tokyo: Tuttle Publishing, 2000, 216 pp., copiously illustrated, 4,500 yen. Though the architect Le Corbusier learned a lot from Japan, he could not have been thinking of this country when he wrote his well-known dictum: "A house is a machine for living in."
CULTURE / Books / THE ASIAN BOOKSHELF
May 27, 2001
Bibliophiles rejoice
A COLLECTOR'S GUIDE TO BOOKS ON JAPAN IN ENGLISH: An Annotated List of over 2,500 Titles with Subject Index, by Joseph Rogala. Richmond, Surrey: Curzon Press, Ltd., 2001. 292 pp., 15.99 UK pounds. The book's title says precisely what it is. It is not a listing of 'best' books on Japan, nor a catalog of what is currently available. Rather, it is a guide for serious amateurs, those who for reasons of sentiment or profit wish to discover collectors' items in the field.
CULTURE / Books / THE ASIAN BOOKSHELF
May 20, 2001
Amid a whirlwind of change, an elegant history of Japan
JAPAN IN TRANSFORMATION: 1952-2000, by Jeffrey Kingston. Harlow, Essex, U.K.: Pearson Education/Longman, 2001; 230 pp., b/w plates XII, $12. As the British historian, the late A.J.P. Taylor, remarked: "History gets thicker as it approaches recent times." The broad outlines, the major themes, have a way of disappearing under the dross of uncharted daily events and the historian is confronted with a remarkably dense tangle, a mass of time, packed full and indecipherable.
CULTURE / Books / THE ASIAN BOOKSHELF
May 13, 2001
A passion for Japan
SIEBOLD AND JAPAN: His Life and Work, by Arlette Kouwenhouven, with Matthi Forrer. Leiden: Hotei Publishing, 2000, 112 pp., with 87 plates, 3,200 yen. Shortly after arriving in Japan in 1823, Philipp Franz von Siebold wrote to a relative back in Holland, "I do not intend to leave Japan until I have described it in detail and until I have collected enough material for a Japanese museum . . ."
CULTURE / Books / THE ASIAN BOOKSHELF
May 6, 2001
A guide to Yunnan, China, that brings the province alive
CHINA: YUNNAN PROVINCE, by Stephen Mansfield, with contributions by David Reynolds. Buckinghamshire, U.K.: Bradt Travel Guides, 2001, 292 pp., with maps and 20 color plates, 13.95 UK pounds. Yunnan is China's most diverse province. Not only is it geographically varied, with glaciers in the north and jungles in the south, but it is also home to over a third of the country's ethnic minorities.
CULTURE / Books / THE ASIAN BOOKSHELF
Apr 29, 2001
Revisit the glory and the pathos of the 47 ronin
KUNIYOSHI: The Faithful Samurai, by David R. Weinberg. Translations and essay by Alfred H. Marks. Foreword by B.W. Robinson. Leiden: Hotei Publishing, 2000. 192 pp., map, pictures, color plates, 12,000 yen. In 1701, one of the feudal lords in attendance to the shogun in the Edo castle was called upon to take part in a formal ceremony. He was to have been instructed by the chief chamberlain, who, perhaps dissatisfied with his tip, insulted the lord he should have been teaching. This resulted in the drawing of weapons in the castle, a proscribed act and the forced suicide of the unfortunate lord.
CULTURE / Books / THE ASIAN BOOKSHELF
Apr 22, 2001
A bird's-eye view of history
JAPAN: A Short History. Supervised by John Gillespie. New York/Tokyo: ICG Muse Inc. 2001, 80 pp., map, profusely illustrated, 950 yen. When Ralph Waldo Emerson remarked that "there is no history, only biography," he was implying that our annals are really only accounts. Like so much else, history is a construction, a ledger of what we have decided to believe.

Longform

Things may look perfect to the outside world, but today's mom is fine with some imperfection at home.
How 'Reiwa moms' are reshaping motherhood in Japan