The editor of “Oishinbo” defended on Monday the decision to depict characters in the cooking comic book as potentially hurt by radiation in Fukushima, calling it a “meaningful” attempt to sound the alarm about the grim, and largely overlooked, reality of life in the prefecture.
In Monday’s installment of the series — now suspended indefinitely — Hiroshi Murayama, who is also managing editor of the weekly Big Comic Spirits magazine the series runs in, includes an afterword in which he writes of feeling a strong pang of responsibility for the outrage caused by recent issues of the manga.
Unable to view this article?
This could be due to a conflict with your ad-blocking or security software.
Please add japantimes.co.jp and piano.io to your list of allowed sites.
If this does not resolve the issue or you are unable to add the domains to your allowlist, please see out this support page.
We humbly apologize for the inconvenience.
With your current subscription plan you can comment on stories. However, before writing your first comment, please create a display name in the Profile section of your subscriber account page.