Kuchibiru ni Uta wo
Director Takahiro Miki
Run Time 132 minutes
Language Japanese
Opens Feb. 28

Japanese movies about school clubs gunning for regional or national glory in everything from synchronized swimming to shodō (calligraphy) now constitute a distinct, well-trodden sub-genre. Based on a novel by Eiichi Nakata, Takahiro Miki’s “Kuchibiru ni Uta wo” (“Have a Song on Your Lips”) gives this familiar formula a couple of tweaks, first by casting inexperienced young teens as members of a junior high chorus club, instead of the usual “idol” actors several years older. Second, their coach, Yuri Kashiwagi (Yui Aragaki), is not a typical inspiring mentor, but a sullen substitute teacher still reeling from the sudden collapse of her career as a concert pianist.

Even so, from the moment Yuri arrives on the ferry, following a stunning opening shot of her passage through the picturesque Goto Islands, we know an uplifting change-of-heart is in her future. And so it goes, though the film begins as something of a teen comedy, with a gaggle of unruly boys signing up for the previously all-girl club after getting a look at its gorgeous new coach. The girls, led by the outspoken Nazuna (Yuri Tsunematsu), protest this barbarian invasion, but the bored Yuri shrugs off their complaints and coolly dismisses their dream of winning a national chorus contest.

From this prickly start the film descends toward the treacly, with everything from Yuri’s disastrous concert walkout to a gifted boy singer’s loving relationship with his mentally disabled brother used to pluck heartstrings. But the kids are fresh-faced naturals and Aragaki, who only a few short years ago was playing sweet-teen roles herself, gives a bracingly astringent performance as Yuri. Her smiles, when they arrive on schedule, blaze through the film’s teary mist. Those boys, we realize, knew what they were about.

In line with COVID-19 guidelines, the government is strongly requesting that residents and visitors exercise caution if they choose to visit bars, restaurants, music venues and other public spaces.

In a time of both misinformation and too much information, quality journalism is more crucial than ever.
By subscribing, you can help us get the story right.