Since debuting with its 2005 full-length album, “Naraba, Imi kara Kaiho Sareta Hibiki wa ‘Oto’ Sekai no Shinen wo Kataru,” Tokyo-based instrumental-rock group té has given its subsequent records (and track titles) similarly lengthy names. Former bassist Masahiro Watanabe was the man behind the gimmick, always making album titles 29 kanji characters long and song names 30 characters long. And while Watanabe parted ways with the group in 2010, té has kept his legacy alive with its latest effort, “Oto no Naka no ‘Keiren Teki’ na Bi wa, Kannen wo Koe Nikutai ni Otozureru Yasei no Senritsu” (which translates loosely as “The ‘Convulsion’-like Beauty in the Sound Transcends the Immaterial and Visits Upon the Body like a Wild Shudder.”)

Billed as an EP, the 53-minute-long offering includes three studio cuts and nine live selections. The title track starts with ambient sounds of bleeps, static and dripping water before a wave of blistering guitar chords burst from the speakers. Flirting with posthardcore early on, it builds into a beautiful, cinematic postrock landscape. Forging a more experimental path, the third song shifts between dark electronica mixed with math rock and uplifting waves of guitar-driven shimmering postrock.

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