David Lynch has always been one of cinema’s most astute directors when it comes to sound. Whether its recycling pop songs in an entirely new context (“Blue Velvet”) or pure industrial ambience (the radiator hiss from “Eraserhead”), Lynch has always used the soundtrack deliberately to add another dimension to his films. With “Mulholland Drive,” Lynch continues his fruitful collaboration with composer Angelo Badalamenti, who has produced both the haunting dream-pop of “Twin Peaks” and the lurching, orchestral swoops of “Lost Highway.”

“Mulholland Drive” contains pretty much everything you’d expect from Lynch-land, and then some. There’s twee ’50s kitsch with a girl-group version of “I’ve Told Every Little Star” and threatening sexual menace underlying Sonny Boy Williamson’s warbling vocal on “Bring It on Home.”

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