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Mark Schilling
Japan Times
CULTURE / Film
Aug 28, 2019
Haruhiko Arai: Still pushing boundaries after 40 years in film
In a four-decade career, Haruhiko Arai has become an acclaimed scriptwriter with credits that include "Vibrator" (2003), "It's Only Talk" (2005) and "Kabukicho Love Hotel" (2014), three of the best films by his frequent collaborator, the director Ryuichi Hiroki.
Japan Times
CULTURE / Film
Aug 28, 2019
'Mugen Foundation': When adolescence becomes too much
The seishun eiga (youth film) is not exclusive to Japan — plenty of films from elsewhere deal with the joys and agonies of adolescence — but this popular genre has acquired certain only-in-Japan quirks.
Japan Times
CULTURE / Film
Aug 22, 2019
'Dance With Me': A homegrown Japanese musical has landed
Genres never really die, but they often mutate into something different on foreign soil. John Ford's cowboys became Akira Kurosawa's samurai, and Kurosawa's samurai became Sergio Leone's serape-clad, cigarillo-chewing "The Man With No Name." And the list goes on.
Japan Times
CULTURE / Film
Aug 21, 2019
'Dance With Me': Short on laughs, but big on energy
The Japanese film industry has made many musical films, but almost no Hollywood-style musicals. One reason why is Eizo Sugawa's "You Can Succeed, Too" (1964), a singing, dancing salaryman musical inspired by the Broadway hit "How to Succeed in Business Without Really Trying." Billed by the Toho studio...
Japan Times
CULTURE / Film / Wide Angle
Aug 15, 2019
How to sell your film abroad
As a reviewer, reporter and programmer, I go to six or seven film festivals a year. This is nothing compared to some colleagues, who trudge the festival circuit in a never-ending loop, but it's enough to give me a heap of festival badges.
Japan Times
CULTURE / Film
Aug 14, 2019
'Aesop's Game': Ueda follow-up is neither tortoise nor hare
Last year, Shinichiro Ueda made Japanese film history with "One Cut of the Dead," a zombie comedy he scripted and directed. Opening in just two Tokyo theaters in June, 2018, the film ended up earning ¥3.21 billion — or more than 1,000 times its ¥3 million budget.
Japan Times
CULTURE / Film / Wide Angle
Aug 8, 2019
Marking 30 years since Takeshi Kitano's debut feature, 'Violent Cop'
On Aug. 12, 1989, "Beat" Takeshi Kitano's debut as a director, "Violent Cop," was released in Japan. Kitano was already famous here as a TV comic and emcee, and was known abroad for his role as a brutal POW camp guard in Nagisa Oshima's 1983 World War II drama "Merry Christmas, Mr. Lawrence."
Japan Times
CULTURE / TV & Streaming
Aug 7, 2019
'The Naked Director': A story of naked ambition and dubious morals
Since it launched here in September 2015, Netflix has built a long list of Japanese programming, from the hit reality series "Terrace House" to the manzai (comic duo) drama "Hibana: Spark." Mostly, though, it's the sort of fare you can find on network TV or in your local multiplex.
Japan Times
CULTURE / Film
Aug 7, 2019
'Paradise Next': When the music is better than the story
The lone, wandering gangster is as standard a figure in Japanese cinema as the lone, wandering samurai. Traditionally, both fought out of a self-imposed sense of duty and obligation.
Japan Times
CULTURE / Film
Jul 31, 2019
'Melancholic': When cleaning the tub brings dirtier jobs
Almost every year at the Tokyo International Film Festival (TIFF) at least one film by a new Japanese director gets talked up by visiting programmers, journalists and critics as a find.
Japan Times
CULTURE / Film
Jul 24, 2019
'A Girl Missing': You can run, but you can't hide
Mariko Tsutsui already had many stage, TV and film credits when she appeared in Koji Fukada's 2016 drama "Harmonium." But her performance as a woman whose life is destroyed by Tadanobu Asano's seductive ex-con was a revelation. She made the leap from the naive and sexually starved wife of the film's...
Japan Times
CULTURE / Film
Jul 17, 2019
'Tokyo Ghoul "S"': A college, a cafe and a cannibal
Big pop-culture franchises generate movie sequels as naturally as chickens lay eggs.
Japan Times
CULTURE / Film / Wide Angle
Jul 11, 2019
Tomorrow's film legends descend on Saitama
Launched in 2004 to promote digital cinema, the Skip City International D-Cinema Festival (July 13-21) in Kawaguchi, Saitama Prefecture, has become a showcase for emerging filmmakers. Among the Skip City alumni who have gone on to thriving careers are Cannes Palme d'Or winner Nuri Bilge Ceylan ("Winter...
Japan Times
CULTURE / Film
Jul 10, 2019
'Tourism': Not quite the trip of a lifetime
Taking a pleasure trip abroad used to be a big, once-in-a-lifetime event for the average Japanese. The No. 1 dream destination was Hawaii, since it was seen as glamorous and exotic, yet safe and familiar. A view of Diamond Head out the hotel window and miso ramen on the restaurant menu, in kanji yet....
Japan Times
CULTURE / Film
Jul 3, 2019
'Diner': Maybe find another place to eat
The aesthetic of photographer and director Mika Ninagawa is gaudy to the nth degree. She crowds blood-red roses into her frame like crammed commuters in a rush-hour train. When she makes it rain, her actors may as well be standing under Niagara Falls.
Japan Times
CULTURE / Film
Jun 26, 2019
Kiyoshi Kurosawa: Filming and acting outside your comfort zone
When Japanese directors of a certain age and status film abroad, they usually head for developed countries, not developing ones. Although, to be fair, their choice of foreign locales often comes down to box-office calculations. Japanese audiences enjoy seeing famous European sites on the screen (and...
Japan Times
CULTURE / Film
Jun 26, 2019
'Bento Harassment': Learning lessons with lunchboxes
Japanese movies and TV dramas often feature scenes of mothers making elaborate bento lunches from scratch for their offspring. Seeing these women washing rice in icy water with bare hands before the crack of dawn I reflect back to my own school lunches of PB&J or bologna sandwiches, assembled in minutes...
Japan Times
CULTURE / Film
Jun 19, 2019
'Handling Method for Grumpy Woman': A battle of the sexes, cliches and all
To talk about the differences between men and women now is to step into a minefield. One rhetorical foot wrong and off goes the tripwire.
Japan Times
CULTURE / Film
Jun 12, 2019
'To the Ends of the Earth': Tough times for travel reporting
Kiyoshi Kurosawa and Atsuko Maeda make an odd couple: The former is best known abroad as a master of horror, starting with his 1997 international breakthrough "Cure," while the latter was a star of idol-pop group AKB48, but has since gone on to a thriving acting career.
Japan Times
CULTURE / Film
Jun 5, 2019
'Erica 38': The rise and fall of a true con artist
Con artists in movies are typically likeable rogues who prey on the deserving. The title character of Yuichi Hibi's "Erica 38," who is neither "Erica" nor "38," is closer to the unlikable reality: A woman who dupes others with no discernible guilt or remorse, even when her victims are on the verge of...

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