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Victoria James
For Victoria James's latest contributions to The Japan Times, see below:
Japan Times
CULTURE / Art
Jul 24, 2002
Beautiful people
Men, does your weedy physique or receding hair line make you feel inadequate? Women, do you worry about wrinkles or whether to brave the pain of a bikini-line Brazilian wax? Ever feel that all of us, every day, are bombarded with images of physical perfection that are impossible to live up to?
COMMUNITY
Jul 7, 2002
Until we meet again
For as long as men and women have looked at the stars, they have read in the distant constellations stories of life close to home, filling the sky with maidens and monsters, lovers and heroes, hunters and beasts.
COMMUNITY
Jun 30, 2002
Sagae folk enjoying the fruits of their labor
Japan may be famously crazy about cherry blossoms, but the sakuranbo of Sagae City, Yamagata Prefecture, don't attract attention until long after their white flowers have fallen off. Sakuranbo are fruit cherries, and Sagae and neighboring Higashine cultivate more of them than anywhere else in the country.
Japan Times
CULTURE / Art
May 29, 2002
Exposing the dark side of human nature
Man Ray was master of an art form for which he nonetheless professed "a certain amount of contempt": photography. His first love was painting, and he persistently denied the artistry of the medium that made him famous. But it is largely thanks to his photographic work -- explored in an impressive new exhibition at Shibuya's Bunkamura Museum -- that few critics today bat an eyelid at this medium's inclusion among the "arts."
CULTURE / Books / THE ASIAN BOOKSHELF
May 19, 2002
Repent of Western ways to see the light
A BURDEN OF FLOWERS, by Natsuki Ikezawa. Kodansha International, 2001, 239 pp., 2,400 yen (cloth) A story of two Japanese siblings' rejection of Western values, one eloquent on the dangers of being "too Cartesian in your thinking, too tied up in Western rationalism," is hardly an obvious candidate for translation into English. Nonetheless, Natsuki Ikezawa's "Hana wo hakobu imoto" ("A Burden of Flowers") is Kodansha's most recent choice for publication in its grant-assisted Kan Yamaguchi series.
Japan Times
CULTURE / Art
May 15, 2002
Art macht frei
"Arbeit macht frei (Work brings freedom)" were the words famously written above the gates of the Auschwitz-Birkenau concentration camp, where Austrian-born artist Friedl Dicker-Brandeis was murdered in a gas chamber on Oct. 9, 1944. Friedl's life, however, had been devoted to a different, truer precept: that art brought freedom and could liberate the human soul from fear.
Japan Times
CULTURE / Art
Apr 17, 2002
All we know of heaven and need of hell
There may indeed be "more things in heaven and earth than are dreamt of" in human philosophy, as Hamlet told faithful Horatio, but when it comes to hell, the human imagination needs little prompting. From Dante Alighieri's "Divine Comedy" to the Bible itself, hell and its tempting concomitant, sin, have always been set more vividly before our eyes than virtue and its heavenly rewards.
Japan Times
CULTURE / Stage
Apr 10, 2002
Nanta on the cutting edge of comedy
From the back of the theater sounds a regular beat, quiet at first, then mounting in volume. In dances a slender woman wearing a tight chef's jacket and hat. She is holding aloft a frying pan and, well, playing it. Three men follow her, also in white chef's uniforms, bearing -- and beating -- a plastic tub, a colander and an oilcan, in that order. As the volume escalates, all four snake their way through the audience; by the time they reach the stage, the noise from these improvised instruments is deafening.
Japan Times
COMMUNITY
Mar 31, 2002
In the beginning was . . . confusion
In the autumn of 1549, a holy man and his companion began wandering the Satsuma domain of southern Kyushu, preaching the glory of the Sun Buddha Dainichi. The man, who called himself a so (monk), was reported to come from the "Land of Buddha" and exhorted any who would listen to follow Buppo (the Law of the Buddha). If they did, he may have promised, they would attain naisho (enlightenment) and experience raigo (a welcome to the Pure Land by Amidha Buddha and attendant bodhisattvas).
Japan Times
CULTURE / Art
Mar 27, 2002
Getting back to where it began
The career of Wassily Kandinsky (1866-1919), as it unfolds in a new retrospective at the National Museum of Modern Art, Tokyo, is like watching art history run backward. Its culmination -- the glowing colors and dynamic abstraction he made his own -- introduced a whole new visual vocabulary to Western art.
Japan Times
CULTURE / Art
Mar 20, 2002
Not just cartooning around
Having devoured all 23 volumes of illustrator Herge's "The Adventures of Tintin" during my childhood, I've never since felt inclined to pick them up again. Nonetheless -- though the scrapes of the Belgian boy reporter and his canine sidekick Snowy began life as a cartoon strip in the children's weekly Le Petit Vingtieme -- the series has always had legions of adult admirers, too.
Japan Times
CULTURE / Art
Mar 13, 2002
The power and the glory of the Prado
It was the age of Spain's Inquisition and its Age of Gold. King Felipe II, who ascended the throne in 1556, lost an "invincible" armada to the fleet of Protestant England, but he also built the breathtaking palace of El Escorial near Madrid. In swift succession, he married four wives from the four great royal houses of Europe -- Portugal, England, France and Austria -- and fathered seven children.
Japan Times
CULTURE / Art
Feb 27, 2002
Looking longer and seeing more
If you love art, you probably like nothing more than browsing at an exhibition; then perhaps, enthusing with friends that evening about what you saw. Maybe you even indulge in buying the occasional artwork.
Japan Times
CULTURE / Art
Feb 20, 2002
The mind has mountains
"It's true," a friend who has lived here for more than a decade insisted. "Because for them it's the most important mountain in the world, Japanese schoolchildren don't draw Mount Fuji the sloping shape it really is, but as incredibly tall and pointed."
LIFE / Travel / ON THE ARCHIPELA-GO
Feb 11, 2002
Cold lands but warm hearts
The literally hang out the flags for visitors to the small town of Nishikawa in the snowy foothills of Yamagata's Dewa Sanzan mountains. A large British Union Jack was crossed with a Japanese Hinomaru over the entrance to Tamaki, a riverside restaurant famous for its Hina ryori (Doll's Festival food), my first stop on what I hoped would be a restorative long weekend.
LIFE / Food & Drink
Feb 10, 2002
Wine-lovers go loco for Coco
ASHIKAGA, Tochigi Pref. -- Five hectares of misty hillside in Tochigi Prefecture contain one of Japan's best-kept secrets -- a tiny vineyard that may one day become this country's first producer of world-class wines.
COMMUNITY
Jan 27, 2002
Crash diet with a soft landing
"That's impossible!" said my colleague. "Ten kilos in three months? That's . . ." "Don't say it!" I put my hands over my ears, but he continued anyway. "That's 100 grams a day."
Japan Times
CULTURE / Art
Jan 23, 2002
Bygone grandeur revisited
Museums are usually places for looking at things in, not places to look at themselves. Some, though -- like Frank Lloyd Wright's Guggenheim Museum in New York -- are works of art in their own right, and the Teien Art Museum in Shirokanedai, Tokyo, falls squarely into that category.
Japan Times
CULTURE / Art
Jan 16, 2002
All-out attack
Visionaries, alleged pornographers, artists of enduring repute -- Gustav Klimt and Egon Schiele both died in 1918. With them ended the first flowering of the Vienna Secession, an artistic movement that declared war on the Establishment in the cause of liberty and modernity. "Der Zeit ihre Kunst (Art for the Era)," proclaimed the group, which formed in the then Austro-Hungarian capital in 1897. "Der Kunst ihre Freiheit (Freedom in Art)," it demanded.
COMMUNITY
Dec 30, 2001
Starting anew through the ages
The world's most universally observed festival, New Year is also its most diverse, with timing, inspiration and celebration differing among countries, cultures and religions. For some, it is an occasion on which to give thanks for another year of survival; for others it's a vantage point from which to look forward to the coming year; while for still others, it is a "thin place" -- a moment when the boundary between the worlds of the living and the dead flickers and fades.

Longform

When trying to trace your lineage in Japan, the "koseki" is the most important form of document you'll encounter.
Climbing the branches of a Japanese family tree