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REVIEWS

Friday, Feb. 3, 2012

'Shinobido (Shinobido — Way of the Ninja)'

Ninja and samurai need love like a sword in the guts

By MARK SCHILLING

Friday, Feb. 3, 2012

'The Hunter' / 'Poetry'

What happens when the 'right' thing isn't right after all?

By GIOVANNI FAZIO

Friday, Feb. 3, 2012

'Machine Gun Preacher'

The man who hoed his row (and then some)

By KAORI SHOJI

Friday, Feb. 3, 2012

Film shows FBI chief 'as a man and a myth'

DiCaprio visits America's dark past in 'J. Edgar'

By GEORGE HADLEY-GARCIA

Friday, Jan. 27, 2012

'J. Edgar'

FBI icon's sexuality as intriguing as his policies?

By GIOVANNI FAZIO

Friday, Jan. 27, 2012

'Arakawa Anda za Burijji (Arakawa Under the Bridge)'

'Arakawa' adaptation washes up on love's muddy banks

By MARK SCHILLING

Friday, Jan. 27, 2012

'Late Bloomers'

Growing old gracefully is not as easy as it sounds

By KAORI SHOJI

Friday, Jan. 20, 2012

'Always San-Chome no Yuhi '64 (Always: Sunset on Third Street 3)'

Japan's good old days airbrushed to cartoonish perfection

By MARK SCHILLING

Friday, Jan. 20, 2012

'Road to Nowhere' / 'Two-Lane Blacktop'

After a 21-year break, can Hellman top his own masterpiece?

By GIOVANNI FAZIO

Friday, Jan. 20, 2012

'Don't Be Afraid of the Dark'

If only the grownups could see dead people too

By KAORI SHOJI

Friday, Jan. 13, 2012

'The Devil's Double' / 'Un Prophete'

Fear and loathing in Baghdad — and in the Mob

By GIOVANNI FAZIO

Friday, Jan. 13, 2012

'Robo-G'

'Swing Girls' director rewires his own comedy machine

By MARK SCHILLING

Friday, Jan. 13, 2012

'Jack and Jill'

Sandler is still unfunny, no matter how many parts he plays

By KAORI SHOJI

Friday, Jan. 13, 2012

Author Latif Yahia sends a warning to the West

Bearing witness to brutality in 'Devil's Double'

By GIOVANNI FAZIO

Friday, Jan. 6, 2012

'Himizu'

Sono's penchant for extremes may have gone a film too far

By MARK SCHILLING

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