The name of the late great Pina Bausch's acclaimed Tanztheater in the German city of Wuppertal may translate as "Dancetheater," but its works often owe more to abstract emotional action and snatched dialogue than to dance. Over in London, meanwhile, Simon McBurney's Complicite company has long been at the cutting edge of physical theater — so much so that its works have profoundly influenced the nation's erstwhile style of speech-focused drama oft-ridiculed for its "actors who only move from the neck up."