In England in 1999, after the huge success of the ABBA-songs show "Mamma Mia," the theater scene became awash with "jukebox musicals." From 2002's reasonably successful Queen-based "We Will Rock You" and "Taboo," which drew on the music of Boy George/Culture Club, to the following year's failures "Tonight's the Night" and "Cliff," hinged on the songs of Rod Stewart and Cliff Richard respectively, there was a dispiriting deluge of such shows prioritizing content over quality.