What were the particular challenges of reworking "Joseph and the Amazing Technicolor Dreamcoat"? From the very start it was decided we would not be using a children's choir. Often times the show is told to young children on stage, and that device becomes the window into the piece. It took me a little bit of time to envision the perspective of the show, but then I realized I wanted to tell it to the open-eyed and hopeful child that is still in each of us.

Once I realized that idea, I crafted the overture and we start by watching a young boy full of life and hope who gets bogged down by the responsibilities of his adult life. Then we push pause on that journey to gently tap him on the shoulder and remind him to reach back and remember when youth gave him the promise of everything.

As a choreographer, the show holds a big challenge as there is simply so much material. But the really exciting thing is that the material is so stylistically diverse. There's a little bit of everything from clogging to hip-hop.