Taro Okamoto's "Men Aflame" (1955) is a swirling fusion of figuration, surrealism and abstraction. The content addresses the irradiation of Japanese sailors onboard the Dai-go Fukuryu-maru by fallout from American nuclear testing on Bikini Atoll. The painting is part of the 1950s Japanese art movement known as "reportage." It was serious art — politically engaged, socially conscious and outraged.