Tag - parasophia

 
 

PARASOPHIA

Japan Times
CULTURE / Art
Mar 5, 2015
Parasophia to take Kyoto into the now
What goes through your head when you look at contemporary art? Standing in front of, say, Damien Hirst's shark in formaldehyde ("Is this art or taxidermy?"), Tracey Emin's bed ("Anybody could do that"), Jeff Koon's giant balloon-like poodles ("Kitsch," or "preemptive kitsch," as one critic called them) or Takashi Murakami's superflat, supercolorful creations ("Cute . . . and kitsch").
Japan Times
CULTURE / Art
Feb 19, 2014
'The refusal of time' is worth every minute
The former Rissei Elementary School site, nowadays an occasional cultural events center, was earlier home to the Kyoto Dento, the electric company whose technology helped industrialist Katsutaro Inabata to demonstrate the Lumière Brothers' cinématographe camera in 1897 — Japan's first experience with film. Significant as a historical spot for the beginning of cinema in Japan, the venue now inaugurates the build up to the 2015 "Parasophia: Kyoto International Festival of Contemporary Culture" with the Asia premiere of William Kentridge's "The Refusal of Time" (2012).
Japan Times
CULTURE / Art
Feb 5, 2014
'Prelude Exhibition — William Kentridge: The Refusal of Time'
"The Refusal of Time" is a collaborative work between South-African artist William Kentridge and science historian Peter Galison. A five-channel video installation with a complex sound system, this large-scale installation presents Kentridge's innovative animation and a large "breathing machine" sculpture called an "elephant." The piece explores themes of science, globalization, colonialism and memory, outlining the history of our changing comprehension of time. The 'refusal' of the title is both a personal and political statement.

Longform

Historically, kabuki was considered the entertainment of the merchant and peasant classes, a far cry from how it is regarded today.
For Japan's oldest kabuki theater, the show must go on