Tag - miyoko-asada

 
 

MIYOKO ASADA

Japan Times
CULTURE / Film
Jun 5, 2019
'Erica 38': The rise and fall of a true con artist
Con artists in movies are typically likeable rogues who prey on the deserving. The title character of Yuichi Hibi's "Erica 38," who is neither "Erica" nor "38," is closer to the unlikable reality: A woman who dupes others with no discernible guilt or remorse, even when her victims are on the verge of ruin or suicide. She takes lovers, but the only thing she trusts is cold, hard cash.
Japan Times
CULTURE / Film
Jun 3, 2015
Director Kawase disregards criticism of her sentimental leprosy drama 'An'
When I first interviewed Naomi Kawase in 1998, after she won the Cannes Film Festival's Camera d'Or award for her first feature, "Moe no Suzaku" ("Suzaku"), I remarked on her "quietly stubborn determination" to persist in the face of various detractors. If anything, criticism has increased in the intervening years. Feminists have attacked her for making apolitical personal documentaries, and her fiction films are favorite pinatas of critics voting in the annual edition of Eiga Geijutsu magazine's "Worst Ten" poll. At the same time she has garnered many awards and honors here and abroad, including seven invitations to the Cannes festival — the most of any living Japanese director.
Japan Times
CULTURE / Film
Jun 3, 2015
Director Naomi Kawase has finally made a 'real Japanese film'
Sooner or later, many Japanese directors — be they internationally acclaimed auteurs or industry outsiders — end up making what Sion Sono (a noted auteur/outsider himself) once described to me as "a real Japanese film." To put it simply, this sort of film is aimed squarely at the domestic audience, especially folks looking for a good cry.

Longform

Later this month, author Shogo Imamura will open Honmaru, a bookstore that allows other businesses to rent its shelves. It's part of a wave of ideas Japanese booksellers are trying to compete with online spaces.
The story isn't over for Japan's bookstores