Tag - kenshi-yonezu

 
 

KENSHI YONEZU

Japan Times
CULTURE / Music
Dec 13, 2019
Sending Japan's 'Paprika' out to the world
The biggest Japanese children's song of recent years gets an official English translation, in the hope of boosting diversity and interest in the language.
Japan Times
JAPAN / Regional voices: Chubu
Feb 18, 2019
World's masterpieces cast in Shigaraki ceramic at museum in Shikoku
The Otsuka Museum of Art in Naruto, Tokushima Prefecture, drew a lot of attention last year when popular singer-songwriter Kenshi Yonezu held his first live TV performance there on Dec. 31 for NHK's year-end "Kohaku Uta Gassen" ("Red and White Song Battle") music contest.
Japan Times
CULTURE / Music
Dec 13, 2017
Music acts found new ways to get noticed in 2017, but nothing beats an established brand
The path to J-pop stardom used to be pretty simple: Align yourself with the right talent agency and label — they'll do all the work.
Japan Times
CULTURE / Music
Dec 13, 2017
Japanese rap and anime themes are among the best tracks of 2017
J-pop in 2017 felt more fragmented than ever, but the year's biggest songs tell the story of the past 12 months quite well. From YouTube rappers to television hearthrobs, here are four tunes that sum it all up.
Japan Times
CULTURE / Music
Oct 31, 2017
Kenshi Yonezu hopes for more fireworks on new album 'Bootleg'
For Hatsune Miku's 10th birthday, Kenshi Yonezu wrote the turquoise-haired anime darling an apocalyptic song. "Suna no Wakusei" (English title: "Dune") finds Yonezu, under the alias Hachi, programming the avatar for singing-synthesizer software Vocaloid to sing about a "desert planet" where life has eroded and "no grass will grow for the next millennium." It's seemingly more climate-change-centric than celebratory, all set over an unsettling mix of guitar and mocking cheers.
Japan Times
CULTURE / Music / Sound Off
Sep 14, 2017
AKB48 sets a chart record, but Daoko and Kenshi Yonezu are playing the long game
Call it the end of an era. Last week, AKB48's 49th single "#Sukinanda" sold over 1 million copies to take the top spot on the Oricon singles chart. Besides being the first song in the No. 1 position to feature a hashtag in its title, it also propelled the idol group over J-pop singer Ayumi Hamasaki to become the highest-selling female act in Japanese music history.

Longform

Historically, kabuki was considered the entertainment of the merchant and peasant classes, a far cry from how it is regarded today.
For Japan's oldest kabuki theater, the show must go on