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April 20, 2024
 

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JAPANESE FILM

Japan Times
CULTURE / Film
Feb 25, 2015
Japan's Academy Prizes — the fix is in?
Comedian, actor and director Takeshi Kitano had some scathing things to say about the Japanese film industry at last year's Tokyo International Film Festival, where he was given a career achievement award. One target he singled out was the Japan Academy Prizes — the local equivalent of the Oscars — whose 38th annual awards ceremony will be held on Feb. 27.
Japan Times
CULTURE / Film
Feb 11, 2015
Is Japanese cinema sinking into a self-censorship swamp?
One great thing about living in Japan is the consideration, or omoiyari, people here commonly show for others. My newspaper delivery guy climbs the 25 steps to my front door and deposits a copy of The Japan Times in my mailbox every morning, rain or shine. His colleagues in the U.S. — my home country — might toss the paper from a moving vehicle in the general direction of a customer's front yard. Both are just doing their jobs, but my guy considerately spares me effort (and exercise), at no profit to himself.
Japan Times
CULTURE / Film
Feb 4, 2015
Present For You: Baffling but pioneering stop-motion film
Stop-motion animation, in which objects are photographed frame by frame to achieve the illusion of motion, is nearly as old as the movies.
Japan Times
CULTURE / Film
Jan 28, 2015
Back to the love hotel for ex-pink film director
Interviews with people you know well can turn awkward if you try to be the probing questioner instead of the coffee-shop companion. No such worries with 61-year-old Ryuichi Hiroki, the former pink film (i.e., soft pornography) director who made his commercial and critical breakthrough with the erotically charged youth drama "800 Two Lap Runners" in 1994.
Japan Times
CULTURE / Film
Jan 1, 2015
The Vancouver Asahi: Angels are not in the outfield for immigrants
Of making baseball films there is no end. The sport provides an endless supply of ready-made narratives: from a fight to win the pennant ("Damn Yankees") or to simply win ("Major League"), to a player's struggle with illness ("Pride of the Yankees"), or an oversized ego ("Mr. Baseball").
Japan Times
CULTURE / Film
Dec 10, 2014
And the Mud Ship Sails Away: Knee-deep in it without a care in the world
After premiering at the 2013 Tokyo International Film Festival, Hirobumi Watanabe's slacker comedy "Soshite Dorobune wa Yuku (And the Mud Ship Sails Away)" became an international festival favorite, and it's easy to see why.
Japan Times
CULTURE / Film
Dec 3, 2014
Looking Japan's film-industry myths in the eye
Who doesn't love a listicle titled "(X) surprising things you never knew about (Y)"? What surprises me about a lot of commentary on the Japanese film industry — from insiders and outsiders alike — is how it substitutes judgment calls (usually of the "Japanese films are crap" variety) for out-in-plain-sight facts.
Japan Times
CULTURE / Film
Nov 26, 2014
Yokudo: Lingering but confused gaze of indie director
Major film festivals, with their hurry-hurry schedules, are places to polish your sound bites, not launch into nuanced disquisitions. People want your opinion in 25 words or less. When someone asked me what I thought of Kiki Sugino's "Yokudo (Taksu)" after a screening at last month's Busan International Film Festival, out popped "I wanted to like it more than I did," which at least had the virtue of honesty.
Japan Times
CULTURE / Film
Nov 19, 2014
Hurt-till-you-laugh approach to making comedies
When Yosuke Fujita's debut feature "Zenzen Daijobu (Fine, Totally Fine)" started making the international festival rounds in 2008, it charmed nearly everyone who saw it.
Japan Times
CULTURE / Film
Nov 5, 2014
Parasyte: Gory invasion of the cannibal body snatchers
The closing film of this year's Tokyo International Film Festival, Takashi Yamazaki's "Kiseiju: Part 1 (Parasyte: Part 1)," arrives in theaters with a lot of hype. Based on Hitoshi Iwaaki's best-selling manga about the stealth invasion of Earth by alien parasites, the film is the first of a two-part epic, with the second film scheduled for release on April 25, 2015.
Japan Times
CULTURE / Film
Oct 29, 2014
Pale Moon: Bored bank teller embraces the root of all evil
American bank robber Willie Sutton, who allegedly made more than $2 million over a 40-year criminal career, once told a reporter that he robbed banks because "that's where the money is." In the usual heist movie, however — with Stanley Kubrick's "The Killing" (1956) serving as a template — the stolen dough soon proves to be a disastrous sort of fairy gold. Instead of rich, the crooks end up arrested or dead. Sutton himself spent more than half his adult life behind bars.
Japan Times
CULTURE / Film
Oct 29, 2014
Takeshi Kitano blasts domestic film industry
Rather than seeking bloody vengeance, Takeshi Kitano, director of yakuza films "Violent Cop," "Outrage" and "Beyond Outrage," expressed his frustrations with the domestic film industry with pointed comments at a recent talk event in Tokyo.
Japan Times
CULTURE / Film
Oct 27, 2014
Scenes from Tokyo International Film Festival 2014
The made-in-Japan anime moves into the spotlight for the 27th Tokyo International Film Festival. Accordingly Ultraman and Doraeman and other less famous characters dropped by the festival on opening day to take part in the red carpet event.
Japan Times
CULTURE / Film
Oct 22, 2014
Vision of anime's future at Tokyo International Film Festival
The Tokyo International Film Festival, running through Oct. 31, is no longer Asia's biggest or most important festival — that honor is now claimed by the recently held rival Busan film festival. But its 27th edition — the first to reflect the full influence of TIFF's current director-general, Yasushi Shiina — has both a new hub in the Toho Cinemas Nihonbashi theater complex and a new focus on a made-in-Japan genre: anime.
Japan Times
CULTURE / Film
Oct 22, 2014
TIFF Critic's Picks: Films from countries famed for unrest and oppression
According to TIFF's visual programming director Yoshihiko Yatabe, the semiofficial theme for this year's festival is "People on the Edge." They may be pursued, stuck in a rut, in dire trouble or just plain confused, but their stories are some of the most compelling at this years festival. These films are coming out of countries that aren't known for their thriving film industries — places such as Colombia, Azerbaijan, Bulgaria and the Philippines. The global economy has spawned some interesting byproducts and these examples of budding film scenes in countries famed for unrest and repression are among the festival's happy surprises.
Japan Times
CULTURE / Film
Oct 22, 2014
TIFF Critic's Picks: Japanese directors to watch
Despite TIFF's anime focus this year, its lineup of live-action Japanese films is as wide ranging as ever, with one glaring exception: Classic Japanese movies are almost nowhere on the program, and only one Japanese film, Daisuke Yoshida's "Kami no Tsuki (Pale Moon)," is being shown in the competition. But the Japanese Cinema Splash section, with eight films this year by mainly up-and-coming directors, will no doubt yield its share of discoveries, as will the Special Screenings section, despite its clearly commercial slant. There are also live-action Japanese films subtitled in English scattered elsewhere in the program. Seek and ye shall find.
Japan Times
CULTURE / Film
Oct 18, 2014
Hideaki Anno: emotional deconstructionist
With dozens of the renowned filmmaker's works scheduled to be screened at the Tokyo International Film Festival over the next two weeks, we speak to the man behind the 'Evangelion' sci-fi franchise about his apocalyptic influences and prod him on the question that is on every fan's lips
Japan Times
CULTURE / Film
Oct 16, 2014
Tokyo International Film Festival contender 'Pale Moon' gets to the root of all evil
The bad news? Japan has only one entry in the Competition section at this year's Tokyo International Film Festival. The good news? The submission, Daihachi Yoshida's "Pale Moon," is a major contender for the $50,000 Tokyo Grand Prix.
Japan Times
CULTURE / Film
Oct 15, 2014
Two men and a tot make a half-decent film
When indie directors take a more commercial turn, the usual explanation is the bigger paycheck, but it's not always so simple. Yuya Ishii's shift from the raucous films of his early career to the more genteel, mainstream 2013 film "Fune wo Amu (The Great Passage)" raised not only his standard of living but also his status with more traditionally minded domestic critics.
Japan Times
CULTURE / Film
Oct 8, 2014
Harmonic slips in time, identity and language
World War II-themed films by elderly Japanese directors with direct experience of the war are not only becoming scarcer, but are also distinctly different from those of younger filmmakers trying to appeal to a mass audience. Kazuo Kuroki's 2006 film "Kamiya Etsuko no Seishun (The Blossoming of Kamiya Etsuko)," Kaneto Shindo's "Ichimai no Hagaki (Postcard)" from 2010, and Koji Wakamatsu's "Caterpillar" released the same year, are all passionate testaments to the official crimes and human tragedies of a rapidly receding era.
No link to Nankai Trough quake seen after temblor in Shikoku
Satoshi Harada from the Meteorological Agency explains about the magnitude 6.6 earthquake during a news conference early Thursday.
Tehran signals no retaliation against Israel after drones attack Iran
A reported strike against Iran by Israel on Friday came against the backdrop of Iran's support for the Palestinian Hamas militant group, whose assault into Israel on Oct. 7 triggered Israel's invasion of Gaza.
In a first, Japan doctors sue Google over negative reviews on firm's map app
One of the lawyers representing a group of doctors suing Google told a news conference that the main purpose of the lawsuit is not to seek compensation but instead to raise awareness over various problems with the Google Maps system.
Former No. 1 Kento Momota retires from international badminton at 29
Badminton star Kento Momota leaves a news conference after announcing his retirement from Japan's national team, in Tokyo on Thursday.
Thousands evacuated as Indonesia volcano erupts
Indonesia's Mount Ruang spews hot lava and smoke as seen from Sitaro, North Sulawesi, on Wednesday.
'House of the Owl' brings Hollywood values to Japanese TV
In the new Disney+ series “House of the Owl,” Min Tanaka (left) plays a powerful political fixer, or “kuromaku,” who has a troubled relationship with his adult children, particularly his idealistic son, played by Mackenyu.
Benefits and risks: AUKUS looks to take gamble on Japan
U.S. President Joe Biden, Australian Prime Minister Anthony Albanese and British leader Rishi Sunak deliver remarks on the AUKUS partnership, after a trilateral meeting, at Naval Base Point Loma in San Diego in March last year.
Kyoto’s demon night parade lives to haunt another day
In a Kyoto long past, the "hyakki yagyō" (100 demon night parade) haunted a sleepy corner of Kyoto. Now, one enterprising monster enthusiast has won a small batttle to keep the march alive.
U.S. deploys midrange missile system in Indo-Pacific for first time
A U.S. Army Mid-Range Capability (MRC) Launcher arrives as part of the capability’s first deployment into theater on Northern Luzon, Philippines, April 8.
Unpacking the chaotic by-election in a scandal-hit Tokyo district
People listen to a campaign speech in Tokyo's Koto Ward on Tuesday.

Podcast

From easily navigable train stations to the helpfulness of its municipal staff, Tokyo has earned high praise for its commitment to accessibility for disabled travelers.
[Rebroadcast] Japan is doing better on accessibility than you may think

Longform

Historically, kabuki was considered the entertainment of the merchant and peasant classes, a far cry from how it is regarded today.
For Japan's oldest kabuki theater, the show must go on
By Lance Henderstein

SUSTAINABLE JAPAN

Leading Japan’s sustainability from Tokyo
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