Tag - jacques-audiard

 
 

JACQUES AUDIARD

Japan Times
CULTURE / Film
Dec 21, 2016
The bad year that pervaded the screens
The past year has been a cursed one. It began with the death of David Bowie and proceeded to get worse on every level: political hysteria, impending ecological doom, the creeping encroach of net-connected tech into every corner of our lives, and a blurring of the lines between fantasy and reality now known as "post-truth." It was not a great year for cinema — as the gazillion-dollar franchises increasingly shoved everything else to the margins — but the best films seemed both timely and truthful, speaking directly to the chaos of 2016.
Japan Times
CULTURE / Film
Feb 10, 2016
Introducing the complex refugee experience to Japan
The plight of refugees is dauntingly hard to comprehend for the majority of Japanese who have been brought up believing they live in a racially homogeneous nation. (Let's reserve the falseness of this belief for another story.)
Japan Times
CULTURE / Film
Dec 26, 2013
Giovanni Fazio's 2013 Top 10: films to remember into the next lifetime
This year saw me watching a lot more films than usual, which, if anything, made me appreciate the cream even more. As per our age, there's a lot of "content" out there begging for our attention, but precious little of it that feels like it was made with passion. Here are 10 that, love 'em or hate 'em, have some personality.
Japan Times
CULTURE / Film
Apr 5, 2013
Audiard's method: as slow and steady as the waves
My first impression of director Jacques Audiard is that he's almost as wired as the street-punk hero of his film "The Beat That My Heart Skipped," fidgeting in his chair, desperate for a smoke, jumping in mid-translation to clarify a point. Entering his sixth decade, Audiard shows no signs of slowing down, and if anything his films just keep getting better. "Rust and Bone," only his sixth film in a 20-year directing career, is opening wide in Japan — thanks in part to his locally popular star Marion Cotillard — and may finally move the director well beyond his art-house fan base.

Longform

Historically, kabuki was considered the entertainment of the merchant and peasant classes, a far cry from how it is regarded today.
For Japan's oldest kabuki theater, the show must go on