Tag - haruhiko-arai

 
 

HARUHIKO ARAI

An out-of-work porn director (Go Ayano, right) goes on a drunken trip down memory lane with one of his dead lover’s former partners (Tasuku Emoto, left) in “A Spoiling Rain.”
CULTURE / Film
Nov 2, 2023
‘A Spoiling Rain’: A boozy, rueful requiem for love and porn
Based on a novella, Haruhiko Arai’s drama keeps the melancholy core of its source material but expands it into a personal ode to the erotic film industry.
Japan Times
CULTURE / Film
Aug 28, 2019
Haruhiko Arai: Still pushing boundaries after 40 years in film
In a four-decade career, Haruhiko Arai has become an acclaimed scriptwriter with credits that include "Vibrator" (2003), "It's Only Talk" (2005) and "Kabukicho Love Hotel" (2014), three of the best films by his frequent collaborator, the director Ryuichi Hiroki.
Japan Times
CULTURE / Film
Aug 21, 2019
'It Feels So Good': An explicit escapade, artfully told
The average bride-to-be spends the final days before her wedding fretting about seating plans and whether she'll be able to squeeze into her dress, but Naoko (Kumi Takiuchi) decides it's a good time to hook up with an old flame instead.
Japan Times
CULTURE / Film
Aug 12, 2015
Love blooms like incendiary bombs in 'Kono Kuni no Sora'
Veteran scriptwriter Haruhiko Arai spent three decades trying to adapt Yuichi Takai's 1983 novel "Kono Kuni no Sora" ("This Country's Sky") for the screen — and the wait was worth it.
Japan Times
CULTURE / Film
Jan 28, 2015
Back to the love hotel for ex-pink film director
Interviews with people you know well can turn awkward if you try to be the probing questioner instead of the coffee-shop companion. No such worries with 61-year-old Ryuichi Hiroki, the former pink film (i.e., soft pornography) director who made his commercial and critical breakthrough with the erotically charged youth drama "800 Two Lap Runners" in 1994.
Japan Times
CULTURE / Film
Jan 21, 2015
Sayonara Kabukicho: Life and love in Shinjuku's red-light district
Ryuichi Hiroki has become a victim of his own success, though his studio employers probably don't see it that way. This one-time maker of so-called pink films (i.e., soft pornography), who became internationally celebrated for intimate indie dramas like "Vibrator" from 2003 and "Yawarakai Seikatsu (It's Only Talk)" from 2005, has morphed into the local industry's go-to guy for weepy romantic dramas — a genre that has been a big money-maker here for decades.
Japan Times
CULTURE / Film
Jul 30, 2014
Lost in a dingy maze of booze, sex and crime
Golden-gai, a warren of tiny bars near Shinjuku's Kabukicho entertainment district, has long been a refuge for writers, musicians, filmmakers and other artistic types, who congregate at drinking establishments with like-minded patrons. The area also has a seedier, less reputable side, which is graphically shown in Shinji Imaoka's erotic drama "Tsugunai: Shinjuku Golden-gai no Onna."

Longform

Historically, kabuki was considered the entertainment of the merchant and peasant classes, a far cry from how it is regarded today.
For Japan's oldest kabuki theater, the show must go on