This may seem an odd form of praise, but Nuri Bilge Ceylan does boredom awfully well. The Turkish director's last film, "Once Upon a Time in Anatolia" (2011), was a police procedural that had been denuded of the drama you'd normally expect from the genre. Yet as its protagonists trudged fruitlessly from one place to the next in search of a buried corpse, their idle, time-passing chatter began to reveal telling details. For Ceylan, the most interesting moments are often the ones where, superficially, nothing much happens.