Following on Olivier Py's comment in the accompanying story that "everybody" at last year's Avignon Festival loved Satoshi Miyagi's "Mahabharata — Nalacharitam," which Py, as the festival's director, had awarded the honor of opening the event, I rolled up to Shizuoka Performing Arts Center to find out how Miyagi, its artistic director, now views his production of that epic Sanskrit poem penned between 200 B.C. and A.D. 200 — and what he has focused on since.