If you were into art-house cinema in the 1990s, you were into Julie Delpy, whether it was her boho-romantic Celine in Richard Linklater's classic "Before Sunrise," her ice-cold vixen in Krzysztof Kieslowski's magisterial "Three Colors: White," or even the clichéd hooker-with-a-heart in Roger "Pulp Fiction" Avary's "Killing Zoe."