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Studio Ghibli is often assumed to be the animation house that Hayao Miyazaki built, but Miyazaki has directed only nine of its 17 features to date. Four were made by studio cofounder Isao Takahata and four by four different directors. These latter four, however, are all immediately identifiable as Studio Ghibli products, from their spunky teenage protagonists to their pictorial realism in everything from the play of shadows through the trees to the raising of sticky windows.

The latest, “Kari-gurashi no Arrietty (The Borrowers),” features direction by veteran Ghibli animator Hiromasa Yonebayashi and a script by Miyazaki himself. It is a simply told, beautifully animated delight that, like the best Ghibli films, speaks straight to the heart and imagination of the child in all of us.

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