The end of last year and the beginning of this one has produced a fine crop of poetry publications. Though each of these volumes deserves its own separate review, happily I’m able to give these works exposure here.

In May’s installment last year, I wrote about Irving Stettner’s small publication house Stroker. Stettner’s gifts as an artist are many: He’s edited the avant-garde review Stroker since 1974, and is a watercolorist, prose writer and poet.

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