A strange and uneven novel, Yukio Mishima's "The Temple of Dawn," the third volume in the "Sea of Fertility" tetralogy, is an elegy to the loss of pureness in the Japanese national spirit.
In "Star," Yukio Mishima confronts issues of celebrity, youth and aging in hypercharged and manically subjective first-person prose.
In her new novel, "Tokyo Ueno Station," writer Yu Miri connects Japan's modern past with the homeless in Ueno Park, giving faces and voices to the dispossessed.
Kazufumi Shiraishi's novella "Stand-in Companion" offers an interesting male perspective on infertility, plumbing the frustrations of a childless couple and the self-accusation and unspoken blame that can eat away at a relationship.
Eugenia Kim's second novel, "The Kinship of Secrets," is a measuredly moving story of a girl losing and finding a home, the ways in which families grow into units and immigrants into citizens.
Like a bouquet of exotic flowers, the stories in "The Lonesome Bodybuilder" are varied and full of surprise, starting out with mundane situations and then turning strange in a way that feels uniquely Japanese.
Haruki Murakami's sole foray into journalism, "Underground: The Tokyo Gas Attack and the Japanese Psyche," celebrates its 20th anniversary this year. What lessons does it hold today about where Japan has gone as a society?
In two short stories, "The End of the Moment We Had" and "My Place in Plural" Okada excels at describing the great indifference that marks some Japanese youth.
Toshiyuki Horie's collection of stories embrace small moments, deep thought and cross-cultural connections.
Ishiguro has always seen himself as a British writer and dislikes being pegged to his Japanese origins. Still, he admits that the matter is complex.