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Jeff Hammond
For Jeff Hammond's latest contributions to The Japan Times, see below:
Japan Times
CULTURE / Art
Sep 18, 2013
Tokyo Photo 2013 heads for Zojoji Temple
Japan's first international photography fair, Tokyo Photo, strengthens its hold on the photography scene in Asia with its fifth yearly installment from Sept. 27 to 30 at a new location at the Zojoji Temple in the downtown area of the city.
Japan Times
CULTURE / Art
Aug 14, 2013
Yuri Nonaka takes viewers on a trip through the imagination
All things weird and wonderful were loved by the Surrealists and there is plenty of the weird and wonderful in the world of their fellow traveler Yuri Nonaka. The Kamakura Annex of the Museum of Modern Art, Kamakura and Hayama, is currently holding an exhibition showcasing works that were donated to the institution last year by the artist. "Those Beautiful Books" assembles around 120 of her works, which range from 1950s' tactile copperplate prints of strange organic worlds to turn-of-the-millenium collages reflecting a deepening interest in both outer space and an inner spiritual life.
Japan Times
CULTURE / Art
May 2, 2013
An art expedition to Southeast Asia
Confronting the ongoing state of transformation that characterizes their native Singapore, two artists exhibiting at a new exhibition, "Welcome to the Jungle," adopt quite different approaches and media. Francis Ng in "Constructing Construction #1" turns his camera on an unfinished section of an ugly new highway, a speeding bus whizzing by. Hong Sek Chern, meanwhile, applies Chinese ink to traditional rice paper to map out a multiple-faceted view of the country's public-housing apartments in "Constructing Old and New."
Japan Times
CULTURE / Art
Jan 23, 2013
The art and poetics of a domestic environment
Jaws dropped as American filmmaker Jim Jarmusch, arriving in Japan in the 1980s, named Yasujiro Ozu as one of the directors he was most inspired by. Ozu, active from the 1920s up to the 1960s, was then considered old fashioned for his slow pace and lack of movement, and for the middle-class sensibilities of his dramas set, usually, in domestic spaces. He is still largely neglected by Japanese youth today, so one wonders how the art crowd will respond to two Portugese artists taking Ozu and mu, most often translated as "nothingness," a concept associated with the director's films, as the theme to their show.
Japan Times
CULTURE / Art
Jan 10, 2013
Looking out for the sound of art
In Titian's "Bacchus and Ariadne," the riotous clash of cymbals and blowing of trumpets in the hands of the revelers can almost be heard. In similar ways, artists from at least the Renaissance onward, have attempted to suggest the presence of music in their paintings. By the modern period, many artists had abandoned representational styles altogether and were beginning to consider the language of painting as akin to music, a development that gave us the dynamic and wholly abstract compositions of Piet Mondrian, Paul Klee, Wassily Kandinsky and other pioneers.
Japan Times
CULTURE / Art
Nov 22, 2012
Step into the Lynchian world of oddities
While mostly recognized as the director of such films as "Eraserhead," "Wild at Heart" and "Mullholland Drive," David Lynch has long turned his hand to other media. About 80 of his works, encompassing photography, painting, music and short films are being brought together for an exhibition at the Laforet Museum. "David Lynch: Chaos Theory of Violence and Silence" includes some of his early pieces as well as those created in recent years, which are being shown in Japan for the first time.
Japan Times
CULTURE / Art
Nov 1, 2012
Res Artis plots a path for future art residencies
The 1990s saw a tremendous emphasis, continuing through to today, on artist residency programs, run by museums and galleries, educational establishments or independent foundations and organizations.
Japan Times
CULTURE / Art
Sep 27, 2012
Tadanori Yokoo prepares to 'move on' in different ways
Tadanori Yokoo, bad boy of the Japanese art scene since the 1960s, is showing nine works, most of which were made within the last couple of years, at Scai The Bathhouse in the Yanaka district of Tokyo. The small exhibition, titled "Destination the Teshima Art House Project" serves to not only showcase these specific works but to also introduce plans for a new museum on the island of Teshima in the Seto Inland Sea of Kagawa Prefecture. The museum will be part of Benesse Art Site Naoshima, which is centered on the bigger island in the area, and will host a permanent exhibition of some of Yokoo's works from spring next year.
Japan Times
CULTURE / Art
Sep 20, 2012
The art of photography
This weekend sees the fourth installment of "Tokyo Photo" — Japan's first international photography fair, and now the biggest event of its kind in Asia. Since its inception in 2009, the fair has cast its net wide, and this year has more than 35 agencies and galleries taking part. Over half of them are from Tokyo, and they are joined by those from Shanghai, Berlin and Amsterdam, as well as some from New York, Los Angeles, London and elsewhere. With names such as Anders Peterson, Mika Ninagawa and Naoya Hatakeyama involved, the fair will have more than 1,000 photos on display, ranging from documentary and fashion to art photography.
Japan Times
CULTURE / Art
Jul 26, 2012
Japan's one-time rebellious artistic vanguard
The term "art group" barely does justice to the collective of artists in postwar Japan known as Gutai. Founded in 1954 by Jiro Yoshihara, the group renegotiated the borders of art, incorporating performance, installation and even the natural environment into their creations.
Japan Times
CULTURE / Art
Jun 14, 2012
Max Ernst: The artist who raised eyebrows with 'pictorial' texture
Despite several major exhibitions of his work that have been held in Japan since the 1970s, Max Ernst is still widely considered here to be one of the most difficult and obscure of the Surrealists. Constantly exploring new ideas, methods and materials, his art is perhaps less instantly recognizable than that of, say, Rene Magritte or Salvador Dali, and less easily fathomed. Presenting a solo exhibition of the artist to a public still largely unaware of Ernst's range, concerns and importance thus poses some challenges.
Japan Times
CULTURE / Art
May 24, 2012
The shaping of a Post-Impressionist
When the influential art critic Clement Greenberg described a particular painter as "the most copious source of what we know as modern art, the most abundant generator of ideas and the most enduring in newness," it wasn't, as some might expect, Pablo Picasso he was referring to but Paul Cezanne, a generation older and a profound inspiration on 20th century art.
Japan Times
CULTURE / Art
Apr 19, 2012
Looking beyond the giant canvases
The image of Jackson Pollock as the archetypal American artist, making big gestures on giant canvases, is firmly entrenched in the public consciousness. Dripping paint on canvases laid out on the floor, working in rather than working on his art, Pollock epitomizes the rebellious artist, disregarding the figurative in a whirl of energy touched by higher inspiration. "Jackson Pollock, A Centennial Retrospective," currently showing at the National Museum of Modern Art, Tokyo, adds some depth to that depiction of the controversial and polarizing painter.
CULTURE / Art
Apr 19, 2012
Looking beyond the giant canvases
The image of Jackson Pollock as the archetypal American artist, making big gestures on giant canvases, is firmly entrenched in the public consciousness. Dripping paint on canvases laid out on the floor, working in rather than working on his art, Pollock epitomizes the rebellious artist, disregarding the figurative in a whirl of energy touched by higher inspiration. "Jackson Pollock, A Centennial Retrospective," currently showing at the National Museum of Modern Art, Tokyo, adds some depth to that depiction of the controversial and polarizing painter.
Japan Times
MULTIMEDIA
Dec 8, 2011
A look into Henri de Toulouse-Lautrec
It is hard to think of fin de siecle Paris without recalling the dancing girls and dandies of Henri de Toulouse-Lautrec's colorful prints. It is equally difficult to imagine work by the artist not centered on the city's hedonistic and decadent nightlife.
Japan Times
MULTIMEDIA
Nov 24, 2011
The rivaling schools of classic Japanese art
From its original base in Kyoto to its later establishment in Edo, present-day Tokyo, the Kano school held a firm grip on the Japanese art world from the middle of the Muromachi Period (1392-1573) to the Meiji Era (1868-1912) — a grip aided by its close ties with powerful patrons such as the samurai lords Toyotomi Hideyoshi (1536-98) and Oda Nobunaga (1534-1582). With such invaluable allies helping legitimize the Kano school's aesthetic as the pre-eminent style of Japanese art, it would have been no easy task to challenge it — but that is exactly what one artist, Hasegawa Tohaku (1539-1610) and his school did.
Japan Times
MULTIMEDIA
Oct 13, 2011
When the 'City of Water' was a font of culture
From the Byzantine times in the 9th century, Venice was a strategic trading center straddling Europe and the East. Venetian merchants traded wool and silk textiles for spices, grains and other commodities from Asia, making the city — and the Venetian Republic of which it was the center — one of the most powerful and prosperous regions in Europe until the start of its decline in the 15th century.
Japan Times
CULTURE / Art
Sep 8, 2011
"Jan & Eva Svankmajer: Films and their Surroundings"
Laforet Museum HarajukuCloses Sept. 19
Japan Times
CULTURE / Music
Sep 1, 2011
Rave faves Dub Squad to reunite for festival
The launch of Metamorphose just over a decade ago helped bring more choice to Japan's summer music festival season. The event's focus was on electronic-music acts, but over the years it has lived up to its name and broadened its lineup.
Japan Times
CULTURE / Art
Jun 23, 2011
Impressionists and friends: on the verge of the modern
There seems to be an exhibition of Impressionist art somewhere in Tokyo every year, such is its popularity in Japan.

Longform

Historically, kabuki was considered the entertainment of the merchant and peasant classes, a far cry from how it is regarded today.
For Japan's oldest kabuki theater, the show must go on