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Ian Martin

Ian Martin is a freelance writer covering music and pop culture. He has been active in the Tokyo music scene as an indie event organiser, DJ and label owner since 2004 and has been contributing to The Japan Times music page for almost as long.

For Ian Martin's latest contributions to The Japan Times, see below:

| Feb 26, 2017

Music venue Three tries to up its numbers

Tokyo's independent live music scene has always been somewhat dysfunctional. Complaints from performers about the prevalence of the ubiquitous pay-to-play ticket quota system — in which bands need to guarantee a minimum number of customers — have gone way past outrage and into the realm ...

| Jan 29, 2017

Happier times in the era of Tetsuya Komuro

A 58-year-old Japanese man with a dyed blond mullet in a thick, woolly sweater hunches over a series of a dozen keyboards. With a casual confidence his fingers trip through a few bright, up-tempo chords. There's something familiar about the sound — a nostalgia ...

The best of Japanese indie in 2016

| Dec 25, 2016

The best of Japanese indie in 2016

While the J-pop mainstream seemed in 2016 to have finally and irreversibly consummated the awkward courtship of streaming technology, the year was business as usual for the basement-dwellers of the indie and underground scenes. And as usual, the result was a raft of terrific ...

A reading list for Japan's music scene

| Nov 27, 2016

A reading list for Japan's music scene

Sometime in the spring of 2014, a friend of mine who works for a small publishing company asked if I would write a book about the Japanese music scene for him. "Sure," I told him, "I'll have it ready in six months." It's now 2½ years ...

Injecting a little music into Japanese politics

Aug 7, 2016

Injecting a little music into Japanese politics

"Let's not put politics into music." This seemingly innocent phrase rose to prominence in June as a lightning rod for social media protest against the appearance of student political leader Aki Okuda at the Fuji Rock music festival. It also taps into a popular sentiment ...