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Alicia Kirby
For Alicia Kirby's latest contributions to The Japan Times, see below:
Japan Times
CULTURE / Art
Jun 22, 2006
Public uncertainty, wobbly provocations
'I feel I have lost the ability to have a definite opinion, in terms of people, and about myself," says the Japanese installation artist Tabaimo. It is a surprising admission from someone who first received international acclaim for what were seen as perceptive and cutting social commentaries on modern Japan. But Tabaimo has dealt with the change in stride.
Japan Times
CULTURE / Art
Apr 20, 2006
"Makoto Ishiwata -- [vacuum packing! : heartbeat]"
Maru Gallery in Kaigan Minato-ku Closes in 15 days
Japan Times
CULTURE / Art
Apr 6, 2006
"Przemek Sobocki: the STORY of HER"
Gallery SPEAK FORCloses Saturday
Japan Times
CULTURE / Film
Apr 6, 2006
Your greatest fears become reality
Awee figure of a man, dressed in a cuddly gray Dangermouse jumpsuit, enters a wrestling ring screeching, "Dangermouse saves the day!" Three menacing-looking Japanese pro-wrestlers proceed to chase him around the ring, smashing fluorescent light bulbs on his head as he tries to fend them off with his sole, and utterly useless, weapon -- the felt tail sewn onto his jumpsuit.
Japan Times
CULTURE / Film
Apr 6, 2006
Tokyo Shock Boys have no fear, but they do have limits
Part of Dirty Sanchez's six days in Japan was spent with their spiritual forefathers, The Tokyo Shock Boys, known in Japan as Dengeki Network. The boys, who are now in the their late 30s, have been on the comedy circuit since 1990, entertaining audiences with don't-try-this-at-home-kids stunts, things such as lighting farts, or blowing dry ice fumes from their nostrils.

Longform

Historically, kabuki was considered the entertainment of the merchant and peasant classes, a far cry from how it is regarded today.
For Japan's oldest kabuki theater, the show must go on