Tag - tatsushi-omori

 
 

TATSUSHI OMORI

Japan Times
CULTURE / Film
Oct 7, 2020
‘Under the Stars’: Parents have stars in their eyes
In Tatsushi Omori's coming-of-age drama, Mana Ashida plays a teenager who is conflicted about her loving parents who are members of a cult.
Japan Times
CULTURE / Film
Oct 10, 2018
'Every Day a Good Day': The wonder of tea with Kirin Kiki
I attended my first tea ceremony decades ago, as part of a company orientation. Kneeling on the floor, I sat in the formal seiza position, stumbled through the motions and sipped the thick green tea. Just as the pain in my legs was reaching a crescendo, I bowed to my host and hobbled out. I had next to no idea what it all meant. A box ticked off in the Japanese cultural experiences list?
Japan Times
CULTURE / Film
Nov 29, 2017
'And Then There Was Light': Moments of beauty engulfed in miserabilism
Tatsushi Omori's films have been pushing boundaries since his 2005 debut "The Whispering of the Gods," with its story of a young murderer's return to a Christian community presided over by the priest who abused him as a child.
Japan Times
CULTURE / Film
Oct 15, 2014
Two men and a tot make a half-decent film
When indie directors take a more commercial turn, the usual explanation is the bigger paycheck, but it's not always so simple. Yuya Ishii's shift from the raucous films of his early career to the more genteel, mainstream 2013 film "Fune wo Amu (The Great Passage)" raised not only his standard of living but also his status with more traditionally minded domestic critics.
Japan Times
CULTURE / Film
Dec 26, 2013
Mark Schilling's 2013 Top 10: Farewell to Ghibli's anime masters
Japanese films did quite well both commercially and critically in 2013, with Hayao Miyazaki's final feature animation, "Kaze Tachinu (The Wind Rises)," thumping the Hollywood competition at the local box office. But the industry's over-reliance on sure-thing manga, TV shows and novels for source material has put a damper on its creativity, while abroad the demand for quirky, violent films from Japan is still strong. Often lost in the cracks are good indie films that try to tell original stories about actual human beings.
Japan Times
CULTURE / Entertainment news
Jul 1, 2013
Japanese film picks up prize at Moscow festival
"The Ravine of Goodbye," a Japanese film by director Tatsushi Omori, won the Special Jury Prize at the 35th Moscow International Film Festival that ended Saturday, while "The Particle," a drama by Turkish director and writer Erdem Tepegoz, won the best film prize.

Longform

Later this month, author Shogo Imamura will open Honmaru, a bookstore that allows other businesses to rent its shelves. It's part of a wave of ideas Japanese booksellers are trying to compete with online spaces.
The story isn't over for Japan's bookstores