Tag - takashi-yamazaki

 
 

TAKASHI YAMAZAKI

Takashi Yamazaki’s “Godzilla Minus One,” which won an Academy Award for best visual effects earlier this week, was made for a reported $15 million — a small fraction of the budgets used by its Hollywood competitors.
CULTURE / Film
Mar 14, 2024
'Godzilla Minus One' fought the odds and won big at the Oscars
Once mocked, the long-running monster franchise took on Hollywood's behemoths — and won.
Director Wim Wenders served as president of the competition jury at this year's Tokyo International Film Festival. Wenders' "Perfect Days," which opened the festival and features Koji Yakusho as a toilet cleaner in Tokyo, is Japan’s nominee for the Academy Awards’ best international feature film category.
CULTURE / Film
Nov 11, 2023
'Perfect Days' and '(Ab)normal Desire' turn heads at Tokyo International Film Festival
Wim Wenders' film opened the event, while Yoshiyuki Kishi’s multilayered drama made a splash, taking both the Audience Award and the best director prize.
Japan’s most famous monster attacks Tokyo just as the city is rebuilding itself from the destruction of World War II in “Godzilla Minus One.”
CULTURE / Film
Nov 9, 2023
‘Godzilla Minus One’: Legendary monster levels up visually
Admirable visual effects bring the beast to life in the franchise’s newest entry, which looks more like the 1954 original than anything in decades.
Japan Times
CULTURE / Film
Jul 28, 2022
‘Yokaipedia’: Fantasy flick takes a page out of ‘Harry Potter’
Takashi Yamazaki's supernatural adventure film will cast a spell on younger viewers, but parents should find it entertaining, too.
Japan Times
CULTURE / Film
Dec 12, 2019
'Lupin III: The First': A 3D animation with a nostalgic heart
Master thief Lupin III returns to steal treasure — and a few hearts — in Takashi Yamazaki's take on the loveable rogue.
Japan Times
JAPAN
Jul 31, 2018
Olympic ceremonies promised to be full of 'Japaneseness' but will carry a worldwide message
Classical actor and director Mansai Nomura promised Tuesday that the 2020 Tokyo Olympic and Paralympic opening and closing ceremonies will be full of "Japaneseness" and "wit," one day after the games' organizing committee named him chief executive creative director for the four events.
Japan Times
CULTURE / Film
Aug 19, 2015
A militaristic turn for the Japanese film industry
Why have Japanese filmmakers recently been turning out so many films about World War II and its aftermath? The obvious answer is that they're commemorating the 70th anniversary of that war's end, which was marked on Aug. 15. But there are far fewer new films about WWII in most of the countries that fought with and against Japan in that conflict. (China, where the anti-Japanese war film has long been a thriving subgenre, is an exception.)
Japan Times
CULTURE / Film
Apr 22, 2015
Surviving the night of the long tentacular knives in 'Parasyte: Part 2'
When we left Shinichi (Shota Sometani) and his inseparable parasite companion Migi at the end of Takashi Yamazaki's 2014 sci-fi/horror hit "Kiseiju" ("Parasyte: Part 1"), the space-alien organisms who had found human hosts in the city of Higashi Fukuyama were not only slaughtering humans for food — with tentacles that snapped like whips and cut like knives — but organizing for what looked to be a takeover of the planet, with City Hall as a base and the newly elected mayor (Kazuki Kitamura) as a creepily smooth frontman.
Japan Times
CULTURE / Film
Nov 5, 2014
Parasyte: Gory invasion of the cannibal body snatchers
The closing film of this year's Tokyo International Film Festival, Takashi Yamazaki's "Kiseiju: Part 1 (Parasyte: Part 1)," arrives in theaters with a lot of hype. Based on Hitoshi Iwaaki's best-selling manga about the stealth invasion of Earth by alien parasites, the film is the first of a two-part epic, with the second film scheduled for release on April 25, 2015.
Japan Times
CULTURE / Film
Feb 20, 2014
Debate still rages over Abe-endorsed WWII drama
Takashi Yamazaki's World War II drama "Eien no Zero (The Eternal Zero)," whose pilot hero joins the tokkōtai (kamikaze) suicide squadron in the closing days of the war, has soared to the box office heights since its Dec. 21 release. After ranking No. 1 in the charts for eight weeks in a row, the film now looks likely to finish its run with more than ¥8 billion, making it one of the 10 top-grossing Japanese films of all time.

Longform

Historically, kabuki was considered the entertainment of the merchant and peasant classes, a far cry from how it is regarded today.
For Japan's oldest kabuki theater, the show must go on