Tag - postwar

 
 

POSTWAR

Japan Times
CULTURE / Art
Sep 11, 2018
The painterly prayers of Higashiyama
Kaii Higashiyama's best-known works are often called 'quintessentially Japanese landscapes,' but they were also examples of the artist's conservative dialogue with European and American abstraction.
Japan Times
CULTURE / Art
Jun 6, 2017
Alternative realities of realism
"Realism" can be a frustratingly indeterminate term. It can be used to refer to individual paintings, and it can be a conceptual placeholder that seemingly encapsulates the entire history of the Western Renaissance, and other, fine arts through to modernism.
Japan Times
CULTURE / Books
May 27, 2017
'The Stakes of Exposure: Anxious Bodies in Postwar Japanese Art': Unpacking politics, protest and gender
Namiko Kunimoto's new book, "The Stakes of Exposure," interweaves artist practices and works with key events in postwar Japan. As such, the reader will learn about events that were critical in shaping postwar politics and protest that have previously been treated separately in the English literature: the Minamata Disaster, the Lucky Dragon Incident, and the ANPO protests.
Japan Times
CULTURE / Art
Jun 7, 2016
Japan's conflicted art of World War II
The Hyogo Prefectural Museum of Art's current exhibition, "1945±5: The Works that Survived through the Turbulent and Reconstruction Era," showcases modern Japanese art five years either side of the pivotal end of World War II. It addresses oil painting and mostly follows a conventional tale of Japan becoming increasingly culturally conservative as its military conflicts deepened with the artistic freedoms that returned after the war. There is enough artistic diversity, however, to suggest that complexities remain uncharted.
Japan Times
CULTURE / Art
Jul 14, 2015
'MOT Collection: Postwar Art in Close-Up'
July 18-Oct. 12
Japan Times
CULTURE / Art
Jul 14, 2015
'Japanese Painters Under World War II: How Did They Survive War?'
July 18-Sept. 23
COMMENTARY / COUNTERPOINT
Mar 31, 2013
Last post: Japan's outdated model is dead; long live the emerging vision
As of today, Roger Pulvers takes leave of Counterpoint, for which he has written weekly since its inception on April 3, 2005. In his final three columns, he set out to consider in turn Japan in the past, present and future. This is the concluding part of that trilogy.

Longform

Historically, kabuki was considered the entertainment of the merchant and peasant classes, a far cry from how it is regarded today.
For Japan's oldest kabuki theater, the show must go on