Tag - national-museum-of-modern-art-kyoto

 
 

NATIONAL MUSEUM OF MODERN ART KYOTO

Japan Times
CULTURE / Art
Apr 3, 2018
When art met craft in Meiji Era Japan
The focus of "The 150th Anniversary of the Meiji Period: Making and Designing Meiji Arts and Crafts" at The National Museum of Modern Art, Kyoto, concerns the relationship between nihonga (Japanese-style) painters of Kyoto and craft production during a time when craft and design were part of the government's national strategy for the pursuit of economic benefits. The exhibition also touches on the late 19th century's national and international expositions, craft masterpieces of the time, and innovations introduced by the German chemist, Gottfried Wagener (1831-1892). It was Wagener's underglaze painting techniques that achieved the gradation effects of traditional painting on Asahi ware ceramics, such as that of the displayed "Tiles with Grapes Design in Underglaze" (1890-1896).
Japan Times
CULTURE / Art
Aug 2, 2016
'A Feverish Era: Art Informel and the Expansion of Japanese Artistic Expression in the 1950s and '60s'
July 29-Sept. 11
Japan Times
CULTURE / Art
Apr 5, 2016
'Order & Reorder : Curate Your Own Exhibition'
April 2-May 22
Japan Times
CULTURE / Art
Jul 31, 2014
Lacquerware's overseas journey into the arts
Rejuvenating the traditional lacquer industry was done by emulating international exposition models, and they sold well. At the 1873 Vienna International Exhibition, lacquer by Zeshin Shibata and Taishin Ikeda received progress medals.
Japan Times
CULTURE / Art
May 21, 2014
'Shoko Uemura'
Shoko Uemura (1902-2001) was the eldest son of renowned nihonga (Japanese-style) painter Shoen Uemura (1875-1949). Like his mother, Shoko trained in nihonga, and he became widely acclaimed for his kachō -ga (paintings of flowers and birds). Known to challenge the refined compositions of traditional painting, he made innovative changes to nihonga style. For example, in his depiction of a peacock — a favorite subject of the master Okyo Maruyama (1733-1795) — Uemura trimmed part of one of the bird's wing, making it more dynamic, appearing as it if it had just moved out of the frame; May 27-July 6.
Japan Times
CULTURE / Art
Apr 30, 2014
Tradition is woven into modern Japanese fashion
Boosted by Japan's remarkable economic growth and the modernization of the country's lifestyle in the latter half of the 20th century, contemporary Japanese fashion has soared to the heights of the global fashion scene while, at the same time, the textile industry related to the kimono has declined. Yet, although it seems that the kimono has been replaced by Western fashion in Japan, traditional kimono culture continues to be deeply woven into modern Japanese fashion.
Japan Times
CULTURE / Art
Mar 19, 2014
'Future Beauty: The Tradition of Reinvention in Japanese Fashion'
Ever since Reiji Kawakubo's Comme des Garçons collection was dubbed "Hiroshima chic" when it debuted on a Paris runway in 1982, Japanese avant-garde fashion has been recognized for its international influence.
Japan Times
CULTURE / Art
Nov 27, 2013
The Imperial Household of tradition
The catalog for The National Museum of Modern Art, Kyoto's exhibition, "Treasures of the Imperial Collection: The Quintessence of Modern Japanese Art," tells us that this "sublime collection of resplendent masterpieces shines brilliantly in the history of modern Japanese art." The collection, represented here by 180 paintings and crafts culled from the 9,500 objects gifted to the government in 1989 on the passing of the Showa Emperor, is spectacular.
Japan Times
CULTURE / Art
Nov 6, 2013
'Treasures of the Imperial Collections: The Quintessence of Modern Japanese Art'
Featuring historical masterpieces that were once part of the decor of the Imperial palace, this exhibition showcases some of Japan's finest royal treasures from the Meiji, Taisho and Showa eras. Coming from the Imperial Household Agency's Sannomaru Shozokan (Museum of the Imperial Collections), these furnishings were works commissioned by emperors, received as gifts during significant occasions or ceremonies, or purchased by the Imperial family.
Japan Times
CULTURE / Art
Oct 9, 2013
Explore the many ways to read cinema
Marcel Broodthaers' films mostly deal with relations between images and words, which is unsurprising given that he was a poet first who turned to film because he came to understand the medium as an extension of language. In their combination, he sought harmony between poetry, visual art and cinema. It is this lineage of artistic activity inaugurated by Broodthaers in the postwar period that the Museum of Modern Art, Kyoto, seeks to trace to its postmodern flowering in the 1990s through to the present.
Japan Times
CULTURE / Art
Sep 4, 2013
'Reading Cinema, Finding Words: Art after Marcel Broodthaers'
Marcel Broodthaers (1924-1976) was a man of many talents — a poet, filmmaker and artist — whose cerebral and witty approach to art often resulted in unusual and amusing works. He used found objects, everyday items, photography and text to create visual puns in collages and installations.

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