Tag - miho-museum

 
 

MIHO MUSEUM

Japan Times
CULTURE / Art
Apr 12, 2016
Putting some faith into the art of decoration
The titular kazari (decoration or ornament) as the focus of "Kazari: Decoration in Faith and Festival," the Miho Museum's spring exhibition, is intended to restore something of the centrality of its concept of decorative embellishment to Japanese art. While the exhibits are consummate, however, the main title seems faintly peripheral and the subtitle, "Decoration in Faith and Festival," more significant.
Japan Times
CULTURE / Art
Feb 16, 2016
'Kazari: Decoration in Faith and Festival'
March 1-May 15
Japan Times
CULTURE / Art
Mar 12, 2015
'Barnett Newman: The Stations of the Cross'
March 14-June 7
Japan Times
CULTURE / Art
Jul 17, 2014
'Two Tapestries: The Miho Merciful Mother Kannon and The Lotus Miroku'
This is the first time that "Miho Merciful Mother Kannon" and "Lotus Miroku," two large tapestry works belonging to the Miho Museum collection, are being displayed together. Created by the fabric company Kawashima Selkon Textiles Co., Ltd., both the tapestries celebrate traditional craftsmanship combined with the latest advances in textile manufacturing.
Japan Times
CULTURE / Art
May 21, 2014
Japan's isolation didn't stop the West lending its colors
A common misperception of sakoku, Japan's closed-door isolation policy gradually enacted from 1633 by Tokugawa Iemitsu and his successors, is that Japan forsook the outside world.
Japan Times
CULTURE / Art
Mar 12, 2014
'Edo Kaleidoscope: Sarasa, Bidoro, Oranda'
"Edo Kaleidoscope" presents a collection of imported luxury goods from the Edo Period (1603-1867), ranging from Indian chintz to Dutch porcelain. Such goods were exotic to the Japanese and largely imported via Nagasaki by the Dutch East Indian Company. To the aristocracy who could afford them, the goods provided a kaleidoscopic view of what life was like on the other side of the world.
Japan Times
CULTURE / Art
Aug 28, 2013
'Negoro: Efflorescence of Medieval Japanese lacquerware'
Negoro lacquerware was originally developed at the Neguro-ji Temple in Wakayama Prefecture, where lacquered utensils were used by priests in daily life. It involved covering a layer of black lacquer with another of vermilion, a technique that spread across Japan after the temple's craftsmen fled the area during Toyotomi Hideyoshi's Siege of Negoro-ji in 1585.

Longform

Historically, kabuki was considered the entertainment of the merchant and peasant classes, a far cry from how it is regarded today.
For Japan's oldest kabuki theater, the show must go on