Tag - lian-hearn

 
 

LIAN HEARN

Japan Times
CULTURE / Books
Sep 24, 2016
The epic Japanese fantasy 'Tale of Shikanoko' comes to a bloody close
The final installment of Lian Hearn's "The Tale of Shikanoko" series delivers on the promise of the previous three books, tying up loose ends and dispensing justice on the deserving. Tom Stoppard famously defined tragedy as "the bad end unhappily, the good unluckily," and it would perhaps be more fitting to call this series "The Tragedy of Shikanoko." After numerous battles, suicides and executions, Hearn's mythical version Japan is littered with corpses.
Japan Times
CULTURE / Books
Sep 3, 2016
'Lord of the Darkwood': The third book in Lian Hearn's epic fantasy series
In tetralogies, the third book is perhaps the most difficult. A master storyteller, like a chess player, must move their ensemble cast toward an endgame, but the strategy for getting them there should remain obscure to the reader.
Japan Times
CULTURE / Books
Jun 18, 2016
Lian Hearn's newest fantasy brings "Game of Thrones"-style intrigue to ancient Japan
The second book in "The Tale of Shikanoko," Lian Hearn's four-part fantasy series, necessarily suffers from having neither a real beginning nor an end. "Autumn Princess, Dragon Child" spends most of its time picking up the pieces left over from the previous denouement and getting everybody in position for the coming climax. It is a book that cannot stand alone and requires a good grasp of the various characters and their shifting loyalties.
Japan Times
CULTURE / Books
Apr 2, 2016
'Emperor of the Eight Islands' reveals a Japan populated by spirits, ghosts and gods
Under the pseudonym "Lian Hearn," Gillian Rubinstein has published six novels set in a fantastical version of Japan's past, most notably the popular "Tales of the Otori" series. "Emperor of the Eight Islands" is the first in a new four-part series called "The Tale of Shikanoko" that will be published over the course of 2016.

Longform

Historically, kabuki was considered the entertainment of the merchant and peasant classes, a far cry from how it is regarded today.
For Japan's oldest kabuki theater, the show must go on