Gamarjobat: Pantomime artists who have plenty to say

| Oct 6, 2011

Gamarjobat: Pantomime artists who have plenty to say

by Nobuko Tanaka

Tough-looking with their cockscomb mohawks — the red one topping Ketch!; the yellow one, HIRO-PON — the “silent-comedy” duo Gamarjobat (“Hello” in Georgian) are now well into a 31-stop tour that’s filling theaters around the country with whoops and rollicking laughter — as well ...

Francois Girard and a woman of many letters

| Sep 15, 2011

Francois Girard and a woman of many letters

by Nobuko Tanaka

“This wonderful project started when my friend, the Lebanese writer Wajdi Mouawad, gave me a book and said I should make a movie out it,” Francois Girard explains. “But after I read it I got back to him and said, ‘Sorry, I disagree with ...

| Sep 9, 2011

Festival/Tokyo rewrites its script after quake

by Nobuko Tanaka

Chiaki Soma, the program director at Festival/Tokyo (F/T), needed to figure out how to proceed with the country’s biggest theater festival following the Great East Japan Earthquake on March 11. She closed her office for 10 days and asked the staff to carefully consider ...

Japan and America share their acting skills

| Sep 8, 2011

Japan and America share their acting skills

by Graig Russell

Next year will mark the New York premiere performances of a new collaborative project whose organizers hope will spur a revolution in the film and theater industries of Japan. Hikobae, meaning, in Japanese, the new shoots that sprout from a felled tree, is the ...

| Sep 1, 2011

Sachiko Hara makes her mark in Germany

by Nobuko Tanaka

Tokyo-born Sachiko Hara, 46, was the apple of her ordinary, working-parents’ eye. She was encouraged to get a degree in German studies from the prestigious Sophia University, and after that it seemed some sort of high-flying career was hers for the taking. But during ...

| Aug 11, 2011

Tokyo gets five rare takes on Kyoto tradition

by Rei Sasaguchi

The upcoming staging of NHK Enterprises’ fifth “Gei no Shinzui” (“The Essence of Art”) series at the National Theatre in Tokyo promises a rare and rather sublime Kyoto treat for the capital’s lovers of traditional Japanese performing arts. Titled “Kyo no Miyabi” (“The Elegance ...

Rising noh star on mission to broaden audience

| Aug 4, 2011

Rising noh star on mission to broaden audience

by Tomoko Otake

Noh, the 600-year-old performing art featuring drummers, chorus singers and masked actors, has survived in the modern world to this day thanks to its loyal, though aging, fan base. But as with many other traditional art forms, it is in dire need of new ...

The future of Japanese theater lies in individuality

| Jul 14, 2011

The future of Japanese theater lies in individuality

by Nobuko Tanaka

In April 2010, Junnosuke Tada became Japan’s youngest-ever artistic director of a public theater when, at age 33, he was appointed by the Kirari Fujimi Theater in Fujimi, Saitama Prefecture. Such meteoric progress (in Japanese terms) was an emphatic vindication of Tada’s decision to ...

| Jun 16, 2011

You're not alone in feeling lonely

by Nobuko Tanaka

For playwright and director Ryuta Horai, the last two years have been a nonstop whirl of activity since “Mahoroba” (“A splendid location”) — his drama about four generations of women in a traditional rural family meeting up and feuding — won the highly prestigious ...

May 12, 2011

Inspired by the West and re-made in Japan

by Nobuko Tanaka

Staging famous Western works, or those from well-known foreign playwrights, is an established feature of contemporary theater in Japan, with Japanese dramatists often adapting or reworking plays so they resonate more with domestic audiences. One such accomplished adaptation currently running in Tokyo is “Minatomachi ...