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	<title>The Japan Times &#187; Openings In Tokyo</title>
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	<link>http://www.japantimes.co.jp</link>
	<description>News on Japan, Business News, Opinion, Sports, Entertainment and More</description>
	<lastBuildDate>Thu, 03 Oct 2013 14:31:34 +0000</lastBuildDate>
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		<item>
		<title>&#8216;Turner from the Tate:  The Makings of a Master&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/10/02/arts/turner-from-the-tate-the-makings-of-a-master/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=turner-from-the-tate-the-makings-of-a-master</link>
		<comments>http://www.japantimes.co.jp/culture/2013/10/02/arts/turner-from-the-tate-the-makings-of-a-master/#comments</comments>
		<pubDate>Wed, 02 Oct 2013 14:23:50 +0000</pubDate>
		<dc:creator>Jordan Sievers</dc:creator>
				<category><![CDATA[J.M. Turner]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[Tokyo Metropolitan Museum of Art]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=462610</guid>
		<description><![CDATA[British artist Joseph Mallord William Turner&#8217;s experimental style allowed him to become one of the most prominent artistic figures of 19th-century Romanticism. This exhibition reflects the diversity of Turner&#8217;s talents and offers a comprehensive overview of some of his most famous paintings. Special attention is also given to rarely displayed works, some of which are [...]]]></description>
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		<item>
		<title>&#8216;Kyoto from Inside and Outside: Scenes on Panels  and Folding Screens&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/10/02/arts/kyoto-from-inside-and-outside-scenes-on-panels-and-folding-screens/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=kyoto-from-inside-and-outside-scenes-on-panels-and-folding-screens</link>
		<comments>http://www.japantimes.co.jp/culture/2013/10/02/arts/kyoto-from-inside-and-outside-scenes-on-panels-and-folding-screens/#comments</comments>
		<pubDate>Wed, 02 Oct 2013 14:22:31 +0000</pubDate>
		<dc:creator>Jordan Sievers</dc:creator>
				<category><![CDATA[Kyoto Imperial Palace]]></category>
		<category><![CDATA[Nihonga]]></category>
		<category><![CDATA[Nijo Castle]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[Ryoanji Temple]]></category>
		<category><![CDATA[Tokyo National Museum]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=462594</guid>
		<description><![CDATA[Kyoto, the old capital of Japan, has harbored a rich traditional culture that has remained strong for generations. Focusing on large-scale works that present depictions of town life as well as seasonal views of the city, this exhibition reveals a detailed glimpse into the aesthetics of Kyoto culture. Three locations of particular symbolic interest are [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;Masterpieces from the Collection of Mitsubishi Ichigokan Museum, Tokyo 2013&#8242;</title>
		<link>http://www.japantimes.co.jp/culture/2013/10/02/arts/masterpieces-from-the-collection-of-mitsubishi-ichigokan-museum-tokyo-2013/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=masterpieces-from-the-collection-of-mitsubishi-ichigokan-museum-tokyo-2013</link>
		<comments>http://www.japantimes.co.jp/culture/2013/10/02/arts/masterpieces-from-the-collection-of-mitsubishi-ichigokan-museum-tokyo-2013/#comments</comments>
		<pubDate>Wed, 02 Oct 2013 14:21:04 +0000</pubDate>
		<dc:creator>Jordan Sievers</dc:creator>
				<category><![CDATA[Impressionists]]></category>
		<category><![CDATA[Mitsubishi Ichigokan Museum]]></category>
		<category><![CDATA[painting]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=462599</guid>
		<description><![CDATA[During the 19th and 20th centuries, Paris gained a reputation as a cultural hub of Europe. It attracted artists such as Auguste Renoir, Claude Monet, Paul Cézanne, Odilon Redon, Henri Toulouse-Lautrec and Felix Vallotton — all of whom inspired and influenced each other&#8217;s work. It was also an era of change, when such artists sought [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;Divisionism from Van Gogh  and Seurat to Mondrian&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/09/25/arts/divisionism-from-van-gogh-and-seurat-to-mondrian/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=divisionism-from-van-gogh-and-seurat-to-mondrian</link>
		<comments>http://www.japantimes.co.jp/culture/2013/09/25/arts/divisionism-from-van-gogh-and-seurat-to-mondrian/#comments</comments>
		<pubDate>Wed, 25 Sep 2013 14:26:32 +0000</pubDate>
		<dc:creator>Jordan Sievers</dc:creator>
		
		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=459698</guid>
		<description><![CDATA[Neo-impressionists, divisionism, painting, National Art Center]]></description>
		<wfw:commentRss>http://www.japantimes.co.jp/culture/2013/09/25/arts/divisionism-from-van-gogh-and-seurat-to-mondrian/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;Comical Ukiyo-e: Humorous Pictures and  the School of Kuniyoshi&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/09/25/arts/comical-ukiyo-e-humorous-pictures-and-the-school-of-kuniyoshi/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=comical-ukiyo-e-humorous-pictures-and-the-school-of-kuniyoshi</link>
		<comments>http://www.japantimes.co.jp/culture/2013/09/25/arts/comical-ukiyo-e-humorous-pictures-and-the-school-of-kuniyoshi/#comments</comments>
		<pubDate>Wed, 25 Sep 2013 14:24:19 +0000</pubDate>
		<dc:creator>Jordan Sievers</dc:creator>
				<category><![CDATA[prints]]></category>
		<category><![CDATA[Ukiyo-e Ota Memorial Museum of Art]]></category>
		<category><![CDATA[ukiyoe]]></category>
		<category><![CDATA[Utagawa Kuniyoshi]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=459696</guid>
		<description><![CDATA[The Edo Period (1603-1867) of Japan is well known for its economic growth and strong social order, but a lesser known fact is that people of this era also enjoyed comedy. Comedic ukiyo-e (woodblock prints) were particularly popular and they typically depicted anthropomorphic interpretations of plants or animals, showing them in human-like poses and comical [...]]]></description>
		<wfw:commentRss>http://www.japantimes.co.jp/culture/2013/09/25/arts/comical-ukiyo-e-humorous-pictures-and-the-school-of-kuniyoshi/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;Tokyo Art Meeting:  Bunny Smash —  Design to Touch the World&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/09/25/arts/tokyo-art-meeting-bunny-smash-design-to-touch-the-world/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=tokyo-art-meeting-bunny-smash-design-to-touch-the-world</link>
		<comments>http://www.japantimes.co.jp/culture/2013/09/25/arts/tokyo-art-meeting-bunny-smash-design-to-touch-the-world/#comments</comments>
		<pubDate>Wed, 25 Sep 2013 14:22:05 +0000</pubDate>
		<dc:creator>Jordan Sievers</dc:creator>
				<category><![CDATA[mixed media]]></category>
		<category><![CDATA[Museum of Contemporary Art]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=459694</guid>
		<description><![CDATA[As part of the Tokyo Culture Creation Project, this exhibition focuses on how expressions in contemporary art and design can inspire each other and society. It spotlights 21 groups of artists, designers and architects from around the globe, all of whom create works inspired by the information-saturated age we live in. The artists approach established [...]]]></description>
		<wfw:commentRss>http://www.japantimes.co.jp/culture/2013/09/25/arts/tokyo-art-meeting-bunny-smash-design-to-touch-the-world/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;Roppongi Crossing 2013:  Out of Doubt&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/09/18/arts/roppongi-crossing-2013-out-of-doubt/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=roppongi-crossing-2013-out-of-doubt</link>
		<comments>http://www.japantimes.co.jp/culture/2013/09/18/arts/roppongi-crossing-2013-out-of-doubt/#comments</comments>
		<pubDate>Wed, 18 Sep 2013 14:03:07 +0000</pubDate>
		<dc:creator>Jordan Sievers  and Jordan C. Sievers</dc:creator>
				<category><![CDATA[mixed media]]></category>
		<category><![CDATA[Mori Art Museum]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=456719</guid>
		<description><![CDATA[Returning for a fourth time since its first installment in 2004, the &#8220;Roppongi Crossing&#8221; series of exhibitions aim to provide an extensive overview of the current contemporary Japanese art scene. For 2013, the state of modern Japanese art is explored through works influenced by current events and global perspectives. &#8220;Out of Doubt,&#8221; refers to the [...]]]></description>
		<wfw:commentRss>http://www.japantimes.co.jp/culture/2013/09/18/arts/roppongi-crossing-2013-out-of-doubt/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;Sengai and the World of Zen&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/09/18/arts/sengai-and-the-world-of-zen/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=sengai-and-the-world-of-zen</link>
		<comments>http://www.japantimes.co.jp/culture/2013/09/18/arts/sengai-and-the-world-of-zen/#comments</comments>
		<pubDate>Wed, 18 Sep 2013 14:02:52 +0000</pubDate>
		<dc:creator>Jordan Sievers  and Jordan C. Sievers</dc:creator>
				<category><![CDATA[calligraphy]]></category>
		<category><![CDATA[Idemitsu Museum of Arts]]></category>
		<category><![CDATA[Sengai Gibon]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=456717</guid>
		<description><![CDATA[During his life as a monk, Sengai Gibon (1750-1837) was admired for not only his artistic ability but also his modesty and simplistic way of life. Despite his social status, he chose to don an everyday black robe instead of one of distinguished purple silk, and his beliefs were reflected in what is now one [...]]]></description>
		<wfw:commentRss>http://www.japantimes.co.jp/culture/2013/09/18/arts/sengai-and-the-world-of-zen/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;Arakawa Africa 4&#8242;</title>
		<link>http://www.japantimes.co.jp/culture/2013/09/18/arts/arakawa-africa-4/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=arakawa-africa-4</link>
		<comments>http://www.japantimes.co.jp/culture/2013/09/18/arts/arakawa-africa-4/#comments</comments>
		<pubDate>Wed, 18 Sep 2013 14:01:51 +0000</pubDate>
		<dc:creator>Jordan Sievers  and Jordan C. Sievers</dc:creator>
				<category><![CDATA[Gallery Ogu Mag]]></category>
		<category><![CDATA[mixed media]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=456725</guid>
		<description><![CDATA[Although the Arakawa district of Tokyo and Africa are thousands of kilometers apart, the two locations do, perhaps surprisingly, share some commonalities in their culture and landscape. As part of the Asahi Art Festival, &#8220;Arakawa Africa&#8221; bridges the gap between the two peoples by highlighting such similarities and creating artistic collaborations. While the event is [...]]]></description>
		<wfw:commentRss>http://www.japantimes.co.jp/culture/2013/09/18/arts/arakawa-africa-4/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;Light and Illumination&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/09/18/arts/light-and-illumination/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=light-and-illumination</link>
		<comments>http://www.japantimes.co.jp/culture/2013/09/18/arts/light-and-illumination/#comments</comments>
		<pubDate>Wed, 18 Sep 2013 14:00:42 +0000</pubDate>
		<dc:creator>Jordan Sievers  and Jordan C. Sievers</dc:creator>
				<category><![CDATA[Asahi Beer Oyamazaki Villa]]></category>
		<category><![CDATA[mixed media]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=456723</guid>
		<description><![CDATA[Light is an integral aspect of all forms of artistic expression, whether it&#8217;s portrayed in paintings, captured in ceramic glazes or created as man-made illuminations. This exhibition displays some of the most famous artistic expressions of light by many of the world&#8217;s most-respected artists. Featured paintings include those by Claude Monet and Georges Rouault, with [...]]]></description>
		<wfw:commentRss>http://www.japantimes.co.jp/culture/2013/09/18/arts/light-and-illumination/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;A Toast to the Drinking Glass:  In History and Life&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/09/11/arts/a-toast-to-the-drinking-glass-in-history-and-life/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=a-toast-to-the-drinking-glass-in-history-and-life</link>
		<comments>http://www.japantimes.co.jp/culture/2013/09/11/arts/a-toast-to-the-drinking-glass-in-history-and-life/#comments</comments>
		<pubDate>Wed, 11 Sep 2013 14:03:20 +0000</pubDate>
		<dc:creator>Jordan Sievers  and Jordan C. Sievers</dc:creator>
				<category><![CDATA[craft]]></category>
		<category><![CDATA[glassware]]></category>
		<category><![CDATA[Suntory Museum of Art]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=453708</guid>
		<description><![CDATA[As the title suggests, an everyday object becomes a spectacle of art and history for this exhibition, which explores the evolution of the drinking glass from primitive to modern times. With a focus on historical artworks depicting the usage of various drinking vessels for ritual or daily life, the show highlights the importance of the [...]]]></description>
		<wfw:commentRss>http://www.japantimes.co.jp/culture/2013/09/11/arts/a-toast-to-the-drinking-glass-in-history-and-life/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;Soul of Meiji: Edward Sylvester Morse, His Day by Day With Kindhearted People&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/09/11/arts/soul-of-meiji-edward-sylvester-morse-his-day-by-day-with-kindhearted-people/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=soul-of-meiji-edward-sylvester-morse-his-day-by-day-with-kindhearted-people</link>
		<comments>http://www.japantimes.co.jp/culture/2013/09/11/arts/soul-of-meiji-edward-sylvester-morse-his-day-by-day-with-kindhearted-people/#comments</comments>
		<pubDate>Wed, 11 Sep 2013 14:02:09 +0000</pubDate>
		<dc:creator>Jordan Sievers  and Jordan C. Sievers</dc:creator>
				<category><![CDATA[Edo Tokyo Museum]]></category>
		<category><![CDATA[Edward Sylvester Morse]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=453706</guid>
		<description><![CDATA[American zoologist Edward Sylvester Morse was one of the leading figures in the popularization of Japanese ceramic art overseas. While on a science research trip to Japan in 1877, Morse amassed a collection of more than 5,000 pieces of pottery. For his service and academic contributions to Japan, he also received a number of ceramic [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;Homage to Henri Rousseau: The World of Naive Painters and Outsiders&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/09/11/arts/homage-to-henri-rousseau-the-world-of-naive-painters-and-outsiders/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=homage-to-henri-rousseau-the-world-of-naive-painters-and-outsiders</link>
		<comments>http://www.japantimes.co.jp/culture/2013/09/11/arts/homage-to-henri-rousseau-the-world-of-naive-painters-and-outsiders/#comments</comments>
		<pubDate>Wed, 11 Sep 2013 14:01:17 +0000</pubDate>
		<dc:creator>Jordan Sievers  and Jordan C. Sievers</dc:creator>
				<category><![CDATA[Henri Rousseau]]></category>
		<category><![CDATA[naive art]]></category>
		<category><![CDATA[outsider art]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[Setagaya Art Museum]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=453725</guid>
		<description><![CDATA[Tax collector-turned-Post-Impressionist artist, Henri Rousseau was a self-taught painter known for his Naive works. Though it took time for his style, which was often described as simplistic and childlike, to be accepted by art critics, he helped pave the way for other talented untrained artists. Now often referred to as Outsider art, such artists&#8217; work [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;Illusion of light: Museum of the Magic, Art in Wonderland&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/09/04/arts/illusion-of-light-museum-of-the-magic-art-in-wonderland/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=illusion-of-light-museum-of-the-magic-art-in-wonderland</link>
		<comments>http://www.japantimes.co.jp/culture/2013/09/04/arts/illusion-of-light-museum-of-the-magic-art-in-wonderland/#comments</comments>
		<pubDate>Wed, 04 Sep 2013 14:03:22 +0000</pubDate>
		<dc:creator>Marie Omata</dc:creator>
				<category><![CDATA[mixed media]]></category>
		<category><![CDATA[multimedia]]></category>
		<category><![CDATA[Ueno Royal Museum]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=450951</guid>
		<description><![CDATA[&#8220;Museum of the Magic, Art in Wonderland&#8221; has already visited 18 locations across Japan, drawing in a total of more than 500,000 visitors. Due to popular demand, it was even repeated at some of its venues. This is the 23rd showing of the exhibition and its first time in Tokyo. An interactive show, the artworks [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;Special Exhibition: Momoyama Ceramic Masterpieces — Shino, Ki-seto, Seto-guro and Oribe Wares&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/09/04/arts/special-exhibition-momoyama-ceramic-masterpieces-shino-ki-seto-seto-guro-and-oribe-wares/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=special-exhibition-momoyama-ceramic-masterpieces-shino-ki-seto-seto-guro-and-oribe-wares</link>
		<comments>http://www.japantimes.co.jp/culture/2013/09/04/arts/special-exhibition-momoyama-ceramic-masterpieces-shino-ki-seto-seto-guro-and-oribe-wares/#comments</comments>
		<pubDate>Wed, 04 Sep 2013 14:02:57 +0000</pubDate>
		<dc:creator>Marie Omata</dc:creator>
				<category><![CDATA[ceramics]]></category>
		<category><![CDATA[Mitsui Memorial Museum]]></category>
		<category><![CDATA[Momoyama Period]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=450947</guid>
		<description><![CDATA[The ceramics in this exhibition date to the late-Momoyama Period (1573-1615) and all hail from the Mino Province in modern-day Gifu Prefecture. Four kinds of Mino ceramic ware became representative of the Momoyama Period — Shino (thick white glaze with red marks), Ki-Seto (yellow glaze and green blemishes), Seto-guro (black glaze) and Oribe-yaki (various colors [...]]]></description>
		<wfw:commentRss>http://www.japantimes.co.jp/culture/2013/09/04/arts/special-exhibition-momoyama-ceramic-masterpieces-shino-ki-seto-seto-guro-and-oribe-wares/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;Gustave Moreau et Georges Rouault: Filiation&#8221;</title>
		<link>http://www.japantimes.co.jp/culture/2013/09/04/arts/gustave-moreau-et-georges-rouault-filiation/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=gustave-moreau-et-georges-rouault-filiation</link>
		<comments>http://www.japantimes.co.jp/culture/2013/09/04/arts/gustave-moreau-et-georges-rouault-filiation/#comments</comments>
		<pubDate>Wed, 04 Sep 2013 14:01:06 +0000</pubDate>
		<dc:creator>Marie Omata</dc:creator>
				<category><![CDATA[Georges Rouault]]></category>
		<category><![CDATA[Gustave Moreau]]></category>
		<category><![CDATA[Shiodome Museum]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=450949</guid>
		<description><![CDATA[Gustave Moreau (1826-1898), the leading French Symbolist painter, was also a professor at Paris Ecole des Beaux Arts. He taught many well-known artists but he was particularly enamored with Georges Rouault (1871-1958), who he sometimes referred to as his &#8220;son.&#8221; Moreau encouraged Rouault throughout his life and even appointed him as the director of the [...]]]></description>
		<wfw:commentRss>http://www.japantimes.co.jp/culture/2013/09/04/arts/gustave-moreau-et-georges-rouault-filiation/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;Takeuchi Seiho: The Master of Modern Nihonga&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/08/28/arts/takeuchi-seiho-the-master-of-modern-nihonga/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=takeuchi-seiho-the-master-of-modern-nihonga</link>
		<comments>http://www.japantimes.co.jp/culture/2013/08/28/arts/takeuchi-seiho-the-master-of-modern-nihonga/#comments</comments>
		<pubDate>Wed, 28 Aug 2013 14:24:02 +0000</pubDate>
		<dc:creator>Marie Omata</dc:creator>
				<category><![CDATA[calligraphy]]></category>
		<category><![CDATA[Mitsuo Aida]]></category>
		<category><![CDATA[Mitsuo Aida Museum]]></category>
		<category><![CDATA[poetry]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=434908</guid>
		<description><![CDATA[As a founder of nihonga (Japanese-style painting), Takeuchi Seiho (1864-1942)was a pioneer in modernizing traditional Kyoto art. His works were a major influence on many of his younger peers, including Tsuchida Bakusen (1887-1936), and continue to inspire today. This is the first large-scale exhibition of Seiho&#8217;s work since a retrospective show in 1957. More than [...]]]></description>
		<wfw:commentRss>http://www.japantimes.co.jp/culture/2013/08/28/arts/takeuchi-seiho-the-master-of-modern-nihonga/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;Commemorating the 10th Anniversary of the Relocation of the Mitsuo Aida Museum: Even One Simple Thing&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/08/28/arts/commemorating-the-10th-anniversary-of-the-relocation-of-the-mitsuo-aida-museum-even-one-simple-thing/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=commemorating-the-10th-anniversary-of-the-relocation-of-the-mitsuo-aida-museum-even-one-simple-thing</link>
		<comments>http://www.japantimes.co.jp/culture/2013/08/28/arts/commemorating-the-10th-anniversary-of-the-relocation-of-the-mitsuo-aida-museum-even-one-simple-thing/#comments</comments>
		<pubDate>Wed, 28 Aug 2013 14:22:17 +0000</pubDate>
		<dc:creator>Marie Omata</dc:creator>
				<category><![CDATA[National Museum of Modern Art]]></category>
		<category><![CDATA[Nihonga]]></category>
		<category><![CDATA[Takeuchi Seiho]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=434912</guid>
		<description><![CDATA[Poet and calligrapher Mitsuo Aida (1924-1991) is well-known in Japan for his tanka poetry and original style of handwriting. He spent his life developing and honing his craft, focusing on the preciousness of the life as a subject. The Mitsuo Aida Museum was originally established in 1996 in Ginza as a museum of calligraphy and [...]]]></description>
		<wfw:commentRss>http://www.japantimes.co.jp/culture/2013/08/28/arts/commemorating-the-10th-anniversary-of-the-relocation-of-the-mitsuo-aida-museum-even-one-simple-thing/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;ADC 91st Annual Awards Traveling Exhibition at Tokyo&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/08/28/arts/adc-91st-annual-awards-traveling-exhibition-at-tokyo/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=adc-91st-annual-awards-traveling-exhibition-at-tokyo</link>
		<comments>http://www.japantimes.co.jp/culture/2013/08/28/arts/adc-91st-annual-awards-traveling-exhibition-at-tokyo/#comments</comments>
		<pubDate>Wed, 28 Aug 2013 14:21:22 +0000</pubDate>
		<dc:creator>Marie Omata</dc:creator>
				<category><![CDATA[Advertising Directors Club]]></category>
		<category><![CDATA[graphic design]]></category>
		<category><![CDATA[multimedia]]></category>
		<category><![CDATA[printing museum]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=434914</guid>
		<description><![CDATA[In 1920, the Art Directors Club (ADC) was established in New York as an organization that brought together advertising talent, and promoted their work as &#8220;art.&#8221; Each year it holds the ADC Annual Awards competition, judging media, broadcast, print and graphic design from international entries, offering prizes in 220 categories. This exhibition showcases the 91st [...]]]></description>
		<wfw:commentRss>http://www.japantimes.co.jp/culture/2013/08/28/arts/adc-91st-annual-awards-traveling-exhibition-at-tokyo/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;Shinjuku Creators Festa 2013&#8242;</title>
		<link>http://www.japantimes.co.jp/culture/2013/08/21/arts/shinjuku-creators-festa-2013/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=shinjuku-creators-festa-2013</link>
		<comments>http://www.japantimes.co.jp/culture/2013/08/21/arts/shinjuku-creators-festa-2013/#comments</comments>
		<pubDate>Wed, 21 Aug 2013 14:00:04 +0000</pubDate>
		<dc:creator>Alisa Yamasaki</dc:creator>
				<category><![CDATA[mixed media]]></category>
		<category><![CDATA[Shinjuku Creators Festa]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=432338</guid>
		<description><![CDATA[Tokyo celebrates all things creative at the &#8220;Shinjuku Creators Festa,&#8221; a 17-day art event being held around the city&#8217;s Shinjuku Station. World-famous names, such as Yayoi Kusama and CG-artist Yoichiro Kawaguchi will be displaying works, while student submissions, including film projects and installations, are also being featured. For those who want to participate, there will [...]]]></description>
		<wfw:commentRss>http://www.japantimes.co.jp/culture/2013/08/21/arts/shinjuku-creators-festa-2013/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;Czech Posters for Films From the Collection of Terry Posters&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/08/21/arts/czech-posters-for-films-from-the-collection-of-terry-posters/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=czech-posters-for-films-from-the-collection-of-terry-posters</link>
		<comments>http://www.japantimes.co.jp/culture/2013/08/21/arts/czech-posters-for-films-from-the-collection-of-terry-posters/#comments</comments>
		<pubDate>Wed, 21 Aug 2013 13:59:42 +0000</pubDate>
		<dc:creator>Marie Omata</dc:creator>
				<category><![CDATA[film posters]]></category>
		<category><![CDATA[National Film Center]]></category>
		<category><![CDATA[Terry Posters]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=432336</guid>
		<description><![CDATA[The Czech Republic is often admired for its high-quality picture books, puppetry and animation, but it is perhaps less well-known as a nation that has produced many great movie-poster designs. Focusing on &#8220;Czech Nouvelle Vague&#8221; movies from the 1960s as well as Czech posters for American and European films, this exhibition presents 82 movie posters [...]]]></description>
		<wfw:commentRss>http://www.japantimes.co.jp/culture/2013/08/21/arts/czech-posters-for-films-from-the-collection-of-terry-posters/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;Medieval Japanese Art&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/08/14/arts/medieval-japanese-art/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=medieval-japanese-art</link>
		<comments>http://www.japantimes.co.jp/culture/2013/08/14/arts/medieval-japanese-art/#comments</comments>
		<pubDate>Wed, 14 Aug 2013 14:00:57 +0000</pubDate>
		<dc:creator>Alisa Yamasaki</dc:creator>
				<category><![CDATA[educational]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=430048</guid>
		<description><![CDATA[In medieval Japan &#8212; the Kamakura Period to the Muromachi Period (1193-1573) &#8212; power shifted from the nobility to the warrior class. Revealing the influence of this political disruption, this exhibition focuses on artwork produced at that time, much of which referenced Chinese Zen culture. On show are calligraphy scripts, picture scrolls and screens by [...]]]></description>
		<wfw:commentRss>http://www.japantimes.co.jp/culture/2013/08/14/arts/medieval-japanese-art/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;Mitsuaki Iwago:  Cats and Lions&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/08/14/arts/mitsuaki-iwago-cats-and-lions/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=mitsuaki-iwago-cats-and-lions</link>
		<comments>http://www.japantimes.co.jp/culture/2013/08/14/arts/mitsuaki-iwago-cats-and-lions/#comments</comments>
		<pubDate>Wed, 14 Aug 2013 14:00:39 +0000</pubDate>
		<dc:creator>Alisa Yamasaki</dc:creator>
				<category><![CDATA[Mitsuaki Iwago]]></category>
		<category><![CDATA[photography]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=430044</guid>
		<description><![CDATA[The prolific animal photographer Mitsuaki Iwago is currently showing many of his well-known wildlife images at the Nagasaki Prefectural Art Museum. For this Tokyo exhibition, however, he divulges a specific passion for cats, both wild and domestic. Iwago compares city strays and pets with their feline cousins lions, the &#8220;kings&#8221;of the jungle, by placing similar [...]]]></description>
		<wfw:commentRss>http://www.japantimes.co.jp/culture/2013/08/14/arts/mitsuaki-iwago-cats-and-lions/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;Hayami Gyoshu and the Elite of the Japan Art Institute&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/08/07/arts/hayami-gyoshu-and-the-elite-of-the-japan-art-institute/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=hayami-gyoshu-and-the-elite-of-the-japan-art-institute</link>
		<comments>http://www.japantimes.co.jp/culture/2013/08/07/arts/hayami-gyoshu-and-the-elite-of-the-japan-art-institute/#comments</comments>
		<pubDate>Wed, 07 Aug 2013 08:09:41 +0000</pubDate>
		<dc:creator>Natasha Vik</dc:creator>
				<category><![CDATA[Hayami Gyoshu]]></category>
		<category><![CDATA[Inten]]></category>
		<category><![CDATA[Nihonga]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[Yamatane Museum of Art]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=425440</guid>
		<description><![CDATA[Celebrating the 100th anniversary of the re-establishment of the Japan Fine Arts Institute (Inten) the Yamatane Museum of Art&#8217;s new exhibition showcases the work of Hayami Gyoshu and and other important nihnonga (Japanese-style) painters. Through the work of a number of prominent Inten artists, the exhibition looks into how the institute sought out ways to [...]]]></description>
		<wfw:commentRss>http://www.japantimes.co.jp/culture/2013/08/07/arts/hayami-gyoshu-and-the-elite-of-the-japan-art-institute/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;Mitsuaki Iwago&#8217;s Photo Exhibition &#8220;Animal Family&#8221;&#8216;</title>
		<link>http://www.japantimes.co.jp/culture/2013/08/07/arts/mitsuaki-iwagos-photo-exhibition-animal-family/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=mitsuaki-iwagos-photo-exhibition-animal-family</link>
		<comments>http://www.japantimes.co.jp/culture/2013/08/07/arts/mitsuaki-iwagos-photo-exhibition-animal-family/#comments</comments>
		<pubDate>Wed, 07 Aug 2013 08:09:34 +0000</pubDate>
		<dc:creator>Alisa Yamasaki</dc:creator>
				<category><![CDATA[Mitsuaki Iwago]]></category>
		<category><![CDATA[Nagasaki Prefectural Art Museum]]></category>
		<category><![CDATA[photography]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=425438</guid>
		<description><![CDATA[Prominent wildlife photographer Mitsuaki Iwago has been documenting animals more than 40 years, with some of his work being featured on the cover of National Geographic magazine. Based around the themes of Family and Connection, this show presents around 200 images &#8212; from African lions and Antarctic penguins to more familiar domestic cats and dogs. [...]]]></description>
		<wfw:commentRss>http://www.japantimes.co.jp/culture/2013/08/07/arts/mitsuaki-iwagos-photo-exhibition-animal-family/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;Léonard Foujita from the Collection of the Pola Museum of Art&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/08/07/arts/leonard-foujita-from-the-collection-of-the-pola-museum-of-art/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=leonard-foujita-from-the-collection-of-the-pola-museum-of-art</link>
		<comments>http://www.japantimes.co.jp/culture/2013/08/07/arts/leonard-foujita-from-the-collection-of-the-pola-museum-of-art/#comments</comments>
		<pubDate>Wed, 07 Aug 2013 08:08:15 +0000</pubDate>
		<dc:creator>Natasha Vik</dc:creator>
				<category><![CDATA[Bunkamura The Museum]]></category>
		<category><![CDATA[Leonard Foujita]]></category>
		<category><![CDATA[painting]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=425426</guid>
		<description><![CDATA[A central figure in Paris during its eponymous School of Paris era, Léonard Foujita (Tsuguharu Fujita, 1886-1968) found early success with portraiture and painting. While the female nude was often the subject of earlier works, after World War II, he changed his focus to make children a central theme. Featuring some 180 pieces from the [...]]]></description>
		<wfw:commentRss>http://www.japantimes.co.jp/culture/2013/08/07/arts/leonard-foujita-from-the-collection-of-the-pola-museum-of-art/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;The 15th Entertainment Art Exhibition&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/08/07/arts/the-15th-entertainment-art-exhibition/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-15th-entertainment-art-exhibition</link>
		<comments>http://www.japantimes.co.jp/culture/2013/08/07/arts/the-15th-entertainment-art-exhibition/#comments</comments>
		<pubDate>Wed, 07 Aug 2013 08:07:53 +0000</pubDate>
		<dc:creator>Alisa Yamasaki</dc:creator>
				<category><![CDATA[mixed media]]></category>
		<category><![CDATA[Nelson Mandela]]></category>
		<category><![CDATA[Palace Hotel Tokyo]]></category>
		<category><![CDATA[Shinzo Abe]]></category>
		<category><![CDATA[Takeshi Kitano]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=425423</guid>
		<description><![CDATA[The first &#8220;Entertainment Art Exhibition&#8221; began as a charity project in 1999, and it has held exhibitions in museums and cultural centers around Japan ever since. For its 15th year, the exhibition aims to help support areas recovering from the Great East Japan Earthquake by displaying works based on &#8220;Human Dignity,&#8221; a theme to show [...]]]></description>
		<wfw:commentRss>http://www.japantimes.co.jp/culture/2013/08/07/arts/the-15th-entertainment-art-exhibition/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;American Pop Art: From the John and Kimiko Powers Collection&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/07/31/arts/american-pop-art-from-the-john-and-kimiko-powers-collection/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=american-pop-art-from-the-john-and-kimiko-powers-collection</link>
		<comments>http://www.japantimes.co.jp/culture/2013/07/31/arts/american-pop-art-from-the-john-and-kimiko-powers-collection/#comments</comments>
		<pubDate>Wed, 31 Jul 2013 14:15:40 +0000</pubDate>
		<dc:creator>Natasha Vik</dc:creator>
				<category><![CDATA[John Powers]]></category>
		<category><![CDATA[Kimiko Powers]]></category>
		<category><![CDATA[National Art Center Tokyo]]></category>
		<category><![CDATA[Pop art]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=422131</guid>
		<description><![CDATA[John and Kimiko Powers began collecting American Pop Art from its early beginnings in the 1960s. Noted for their patronage of artists, the couple&#8217;s collection is now one of the most comprehensive of the Pop Art movement. This exhibition, presenting some 200 works by the movement&#8217;s most prominent artists, is the first of it&#8217;s kind [...]]]></description>
		<wfw:commentRss>http://www.japantimes.co.jp/culture/2013/07/31/arts/american-pop-art-from-the-john-and-kimiko-powers-collection/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;ICC Kids Program 2013 &#8220;AR Museum&#8221; AKAMATSU Masayuki + ARART Project&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/07/31/arts/icc-kids-program-2013-ar-museum-akamatsu-masayuki-arart-project/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=icc-kids-program-2013-ar-museum-akamatsu-masayuki-arart-project</link>
		<comments>http://www.japantimes.co.jp/culture/2013/07/31/arts/icc-kids-program-2013-ar-museum-akamatsu-masayuki-arart-project/#comments</comments>
		<pubDate>Wed, 31 Jul 2013 14:14:29 +0000</pubDate>
		<dc:creator>Alisa Yamasaki</dc:creator>
				<category><![CDATA[augmented reality]]></category>
		<category><![CDATA[NTT Intercommunications Center]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=422129</guid>
		<description><![CDATA[The latest video games blur the line between the real and the virtual by integrating the user&#8217;s environment with game-play. This use of augmented reality is the theme of &#8220;AR Museum,&#8221; an exhibition aimed at engaging children with technology. Typically, augmented reality projects virtual images onto a real surface viewed through the screen of a [...]]]></description>
		<wfw:commentRss>http://www.japantimes.co.jp/culture/2013/07/31/arts/icc-kids-program-2013-ar-museum-akamatsu-masayuki-arart-project/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8216;Evangelion Exhibition&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/07/31/arts/evangelion-exhibition/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=evangelion-exhibition</link>
		<comments>http://www.japantimes.co.jp/culture/2013/07/31/arts/evangelion-exhibition/#comments</comments>
		<pubDate>Wed, 31 Jul 2013 14:13:58 +0000</pubDate>
		<dc:creator>Alisa Yamasaki</dc:creator>
				<category><![CDATA[Anime]]></category>
		<category><![CDATA[Evangelion]]></category>
		<category><![CDATA[Matsuya Ginza]]></category>

		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=422137</guid>
		<description><![CDATA[The hit anime series &#8220;Neon Genesis Evangelion&#8221; has expanded its franchise far and wide since it was first aired in 1995, to include films, novels, comic books and plenty of merchandising. In anticipation of the final of its current film series, Matsuya Ginza is holding an exhibition of more than 300 original sketches and storyboards [...]]]></description>
		<wfw:commentRss>http://www.japantimes.co.jp/culture/2013/07/31/arts/evangelion-exhibition/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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