Film Topics

Feb 1, 2013

Moonrise Kingdom

by Giovanni Fazio

Wes Anderson is one of those directors who, love him or hate him, has been remarkably consistent. Each film, from “Rushmore” right on down, is an artfully constructed and totally hermetic world unto itself, with flawed or absent father-figures, a closet’s worth of funky-yet-chic ...

'The Best Exotic Marigold Hotel'

Jan 24, 2013

'The Best Exotic Marigold Hotel'

by Kaori Shoji

Mr. Antonini, who lived in the house next to ours in Brooklyn, had a rejoinder for all life’s ailments. “You think you got problems?” he’d say with a querulous edge to his voice. “Wait till you get to my age, and I’ll show you ...

'Minasan, Sayonara (See You Tomorrow, Everyone)'

Jan 24, 2013

'Minasan, Sayonara (See You Tomorrow, Everyone)'

by Mark Schilling

Those directors who return to the same theme over and over commonly use the same actor to embody it. Akira Kurosawa cast Toshiro Mifune as the intense hero in film after film about masculine, if not always traditionally macho, heroism. Juzo Itami starred wife ...

'Life of Pi'

Jan 24, 2013

'Life of Pi'

by Giovanni Fazio

Director Ang Lee’s adaptation of author Yann Martel’s Man Booker Prize-winning “Life of Pi” feels almost like two films sandwiched into one. In the core, you have the succulent special-effects-driven story of a young Indian survivor of a shipwreck who’s adrift in a lifeboat ...

Oshima was in a realm of his own

Jan 19, 2013

Oshima was in a realm of his own

by Roger Pulvers

Film director Nagisa Oshima passed away Tuesday. He was 80. While at London’s Heathrow Airport in February 1996, he suffered a stroke. Rehabilitation in the succeeding years brought him sufficiently back to health to make what would become his last film, “Gohatto,” in 1999. ...

Matsue: 'Goma's positivity left me revitalized'

Jan 17, 2013

Matsue: 'Goma's positivity left me revitalized'

by Mark Schilling

Since his 1999 debut “Anyon Kimuchi (Annyong Kimchi),” a documentary about his zainichi (ethnic Korean) family, Tetsuaki Matsue has been interested in those on the margins of Japanese society — though he is hardly the director-as-crusader. Instead, as he showed in “Raibu Tepu (Live ...

'Armadillo' / 'Cockfighter'

Jan 17, 2013

'Armadillo' / 'Cockfighter'

by Giovanni Fazio

If you go to see “Armadillo”, you will be in a cinema watching a war movie. A documentary, yes, but one that’s safely on the screen as you sit back and watch Danish soldiers deployed in Afghanistan. You will watch those same soldiers try ...

'Cesare Deve Morire'

Jan 17, 2013

'Cesare Deve Morire'

by Kaori Shoji

Roberto Rossellini once said that a good movie has the power to change the world, and here’s a film made by his compatriots (octogenarian Italian brothers Paolo and Vittorio Taviani) that may prove him right. It certainly alters the way one looks at the ...

Nagisa Oshima: a leading force in film

Jan 17, 2013

Nagisa Oshima: a leading force in film

by Mark Schilling

Film director Nagisa Oshima, who died in Fujisawa, Kanagawa Prefecture, of pneumonia on Tuesday at age 80, was a leader of Japan’s postwar New Wave movement. In the West, however, he became best known for a 1976 film “Ai no Corrida” (“In the Realm ...

Jan 17, 2013

Donald Richie on 'Koshikei (Death by Hanging)'

by Donald Richie

This review as originally published on Sunday, Jan. 28, 1968. Director Nagisa Oshima occupies somewhat the same place in the Japanese cinema that Jean-Luc Godard does in the French. A complete intellectual, he is much more interested in ideas than stories, and has more ...