Kat-tun star's knack for reinvention aids film role

May 17, 2013

Kat-tun star's knack for reinvention aids film role

by Mark Schilling

Director Satoshi Miki’s new comedy “Ore Ore (It’s Me, it’s Me)” is more on the cultish than the commercial end of the scale, with its head-scratcher of a story about a first-time scammer who starts encountering various versions of himself in a bizarre new ...

Yoshida's ode to a distant Okinawan island

May 3, 2013

Yoshida's ode to a distant Okinawan island

by Mark Schilling

Many directors hit everything from the books to the streets in preparation for their next film, but for his second feature, “Tabidachi no Shima Uta — Jugo no Haru (Leaving on the 15th Spring),” Yasuhiro Yoshida went far further than most.

Ishikawa knows when to throw away the script

Apr 19, 2013

Ishikawa knows when to throw away the script

by Mark Schilling

Japanese directors of TV dramas often make films that are basically big-screen versions of small-screen shows. No surprise, since their TV-network backers want product that will work equally well with multiplex audiences and home viewers. Directors of TV commercials here, however, typically regard films ...

'Daijobu 3kumi (Nobody's Perfect)'

Mar 29, 2013

'Daijobu 3kumi (Nobody's Perfect)'

by Mark Schilling

Teaching kids is usually not thought of as a physically taxing job, but take it from one who has done it: It is, especially in Japanese schools, where one teacher may have to deal with 40 bundles of not-always-well-behaved energy. I spent much of ...

'Purachina Deta (Platinum Data)'

Mar 15, 2013

'Purachina Deta (Platinum Data)'

by Mark Schilling

Why are so many Japanese sci-fi thrillers so sure our near-future rulers will try to tyrannize us, dehumanize us or, as in “Batoru Rowaiaru (Battle Royale),” make us slaughter each other, even when our only crime is possessing raging adolescent hormones? Given what I’ve ...

'Arekara (Since Then)'

Mar 8, 2013

'Arekara (Since Then)'

by Mark Schilling

It’s rare indeed that I ever wished a new Japanese film were longer — and I am not the only one. “This could be shorter by (name your number) minutes” is such a cliche of Japanese film reviewing and commentary that I inwardly groan ...

Fifth Okinawa fest celebrates community films

Mar 1, 2013

Fifth Okinawa fest celebrates community films

by Mark Schilling

Since its start in 2009, the Okinawa International Movie Festival has been more than its name implies. It has the usual competition sections: one called Laugh for comedies and another called Peace for dramas, though not all the films fit neatly into these two ...

'Su-chan Mai-chan Sawako-san'

Mar 1, 2013

'Su-chan Mai-chan Sawako-san'

by Mark Schilling

Yonkoma manga, or four-cell gag comics, are popular here with both sexes and all ages, but they account for relatively few of the many hit live-action films made from manga. For one thing, it’s not so easy to string all those gags together into ...

Recommended reading

Feb 24, 2013

Recommended reading

by Stephen Mansfield

Donald Richie was a scrupulous writer who paid finite attention to language and content. The following are 10 outstanding choices — titles that should be on any discerning readers’ bookshelf. “Tokyo: A View of the City” (1999) Here Richie manages to give the impression ...

Sharing films with a master critic

Feb 24, 2013

Sharing films with a master critic

by Mark Schilling

Donald Richie was my friend and mentor for more than 20 years and my inspiration before that. When I was preparing to come to Japan for the first time in 1975, I read many books about the place, but Donald’s masterpiece “The Inland Sea” ...