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Stuart Munro
For Stuart Munro's latest contributions to The Japan Times, see below:
Japan Times
CULTURE / Art
Apr 21, 2015
Yoshihiko Ueda: a life with photography
"What remains is future" were words written on a bag I saw someone carrying at Yoshihiko Ueda's new exhibition "A life with Camera." It's the same phrase that appeared on badges Patti Smith handed out in New York nearly 10 years ago. Fittingly, her portrait now hangs among 300 photographs, which were taken by Ueda from the age of 24 over a period of 35 years.
Japan Times
CULTURE / Art
Oct 23, 2014
What words alone cannot convey
"Can writing succeed as the subject of photography?" This is a question that troubles Paris-based artist Yuki Onodera.
Japan Times
CULTURE / Art
Aug 21, 2014
Artists expand photography and film conventions into a new language
At a time when popular culture is fed both mesmerizing and disturbing imagery, it often carries with it a sense of terror, while alluding to the possibility of something disturbingly sublime. What makes that something "sublime," however, evades easy definition.
Japan Times
CULTURE / Art
Jul 17, 2014
Nao Tsuda takes us beyond the straight and narrow
The walkways, ravines and peaks of the Himalayas, Tibet and Swiss Alps form the backdrop for "On the Mountain Path," the latest photographic exhibition by Nao Tsuda at Gallery 916.
Japan Times
CULTURE / Art
May 7, 2014
Shiseido's Tsubaki-kai questions the nature of art
Now in its seventh incarnation, Shiseido's most recent Tsubaki-kai group of artists is the first to be formed since the Great East Japan Earthquake and tsunami of 2011, and it has added to its concerns the meeting of personal preoccupation with art's wider relevance and meaning.
Japan Times
CULTURE / Art
Apr 17, 2014
Roppongi Art Night 2014: Get ready for a 32-hour art marathon
Art needn't be strictly visual. That's how Katsuhiko Hibino sees things.
Japan Times
CULTURE / Art
Mar 19, 2014
For Goze artists, music was a life of servitude
Walking in a line, hands gently touching the person in front and guided by someone able-sighted, blind female entertainers, known as Goze, would travel up and down Japan, come rain or snow, to play the shamisen and perform jōruri narrative music. Walking in unimaginable conditions these women shared an ethical code and moral commitment that has been captured by Shoko Hashimoto in 36 black-and-white photographs currently on display at Zeit-Foto Salon.
Japan Times
CULTURE / Art
Feb 13, 2014
Making sense of cultural nonsense
In today's complicated world of mass media and communication, contemporary British artists are finding new means of expression.
Japan Times
CULTURE / Art
Nov 13, 2013
Portraits reveal much more than a person's appearance
Filmmaker and photographer Dennis Hopper leans against an old wall with his camera sandwiched between his body and the brickwork. Photographer Robert Frank lies sockless on the sand, harmonica in mouth. These celebrities are only two of a very long list of figures from film, art, music and pop culture, both Japanese and foreign, who photographer Kazumi Kurigami has quietly captured.
Japan Times
CULTURE / Art
Oct 2, 2013
The Towada Art Center expands its landscape
Ever since the Towada Art Center opened five years ago, the city in Aomori Prefecture has seen its prospects dramatically alter. Not only by the 2011 Great East Japan Earthquake and tsunami, but by the subsequent devastation of neighboring areas, all of which compounded the dwindling prosperity of Towada. It was detached from nearby Misawa in 2012 when the railway connecting the two cities closed, though conversely the prefecture as a whole benefited from an extended Tohoku Shinkansen Line stretching from the old terminus of nearby Hachinohe to the prefectural capital, Aomori City. There's a lot to love in this quiet, unassuming place but it has definitely seen better days.
Japan Times
CULTURE / Art
Sep 11, 2013
The tireless patience of a behavioral photographer
In Wim Wenders' 1984 film "Paris, Texas," Walt (Dean Stockwell) picks up his younger brother Travis (Harry Dean Stanton), who had disappeared in the desert four years earlier, to drive him back to Los Angeles. As Walt drives, Travis shows him a weathered picture of an empty plot of land he bought in some nondescript part of Texas called Paris, a place he vaguely remembers. Over the course of the film Travis' memory returns as he connects his seemingly uninteresting photograph and the real vacant piece of landscape.
Japan Times
CULTURE / Art
Sep 4, 2013
Shuji Terayama's underground public stage
Thirty years on from the death of Shuji Terayama, Japanese theater's most avant-garde provocateur continues his renaissance with a show of his films, photography and, most importantly, theater works at the Watari Museum of Contemporary Art, which follows on from the recent showing of printed ephemera at the Poster Hari's gallery in Tokyo's Shibuya district.
Japan Times
CULTURE / Art
Aug 21, 2013
Britain's 'YBA' have moved on, but they still inspire
In Ben Wheatley's recent film "A Field in England," a group of deserting soldiers fleeing the 17th-century English Civil War escape through a field of mushrooms, only to be captured by an alchemist and descend into a nightmare of both body and mind — all against the backdrop of the English countryside.
Japan Times
CULTURE / Art
Aug 7, 2013
Open sky, flying high
In her book "North to the Orient," published in 1935, aviator Anne Morrow Lindbergh, one of America's first female pilots, and wife of fellow aviator Charles Lindbergh, wrote of the cultural differences she experienced traveling across Asia, and on the simple act of saying farewell. She remarked of her fondness for the Japanese word "sayonara," which literally means "since it must be so." Unlike the foreign equivalents of "goodbye" or "au revoir," each denying the significance of the moment by dwelling on the more emotional notion of separation, "sayonara" accepts the parting. Yet departing for the sky would always be as momentous as it would be perilous, with any fear consumed by the anticipation of exploring the limitless sky above.
Japan Times
CULTURE / Art
Jul 10, 2013
Surveying the city from a different viewpoint
Beside Stephan Balkenhol's sculpture "Big Head with Three Part Relief" a note reads, "Nothing here is as it should be." This figureless "head" set against a black void represents "Mr. Everyman," that common figure, detached from his surround and considering his place in the world.
Japan Times
CULTURE / Art
Jul 10, 2013
Gregor Schneider: temporary structures that resist conformity
Seemingly out of nowhere, German artist Gregor Schneider exhibits major work at the recently opened TOLOT/heuristic Shinonome complex. His solo show brings together "It's All Rheydt" (Kolkata, 2011) and photography from his largest undertaking, "Haus u r," a house in his hometown of Rheydt that, since 1985, has slowly been refashioned from within.
Japan Times
CULTURE / Art
Jun 20, 2013
Are we all blinded by our sense of beauty?
Sophie Calle is an enigma. She is an artist, writer, photographer and filmmaker yet doesn't work exclusively in any of these areas. She has become famous for her work in photography but her objects and later films have drawn equal attention — work that carries with it the curiosity of a detective who chases ghosts. Invariably, she is known to makes things that are as much about her as they are about others. A reputation clearly described in a recent interview with Stuart Jeffries for The Guardian. When asked her age she then continued to explain the story of her life for "maybe 10 hours" she said. "I can talk about my life endlessly."
Japan Times
CULTURE / Art
Jun 13, 2013
Observing the present and past is to see into the future
For the past 48 years, Daido Moriyama has followed his photographic instinct, drawn to subjects whose characters appear as vibrant as they are tragic while leaving the question of which for us to decide. The act of exhibiting, through the unraveling of images, has charted this one man's continuous urban exploration, which after nearly five decades is still going strong. As the title of this latest show at Gallery 916 suggests "1965~" is an open-ended invitation to visit a very particular place of extremely subjective representation — though on closer inspection, that place may, in fact, be somewhere very different.
Japan Times
CULTURE / Art
Jun 6, 2013
How far does the apple drop?
"I don't like Graffiti" states French artist Zevs, who is known for his street-art work and is currently showing at The Container in Daikanyama.
Japan Times
CULTURE / Art
Apr 4, 2013
JR's portraits put a face on Tohoku
French artist JR, whose show of photographic artwork is on display at the Watari-um (Watari Museum of Contemporary Art), inspires while questioning the role of art in war-torn and disaster-ridden places, asking whether art could really change things for the better. JR not only documents but also involves people he meets, curating ad-hoc galleries of human faces that confront their social status-quo and the problems that besiege them.

Longform

A statue of "Dragon Ball" character Goku stands outside the offices of Bandai Namco in Tokyo. The figure is now as recognizable as such characters as Mickey Mouse and Spider-Man.
Akira Toriyama's gift to the world