Why perfection isn't enough

| Jun 11, 2003

Why perfection isn't enough

Light, cool, sleek and refined describe the large celadon bowl that won 1 million yen and the Grand Prix Katsura-no-Miya Prize at the 17th Biennial Japan Ceramic Art Exhibition. This juried exhibition showcases some of the finest works in this “pottery oasis” of Japan ...

A 'smashing' place for pots

| May 14, 2003

A 'smashing' place for pots

It was 20 years ago today . . . that the famous Kikuchi Collection of Modern Japanese Ceramics was shown to “smashing” reviews at the Smithsonian Institution in Washington. The 300-piece collection sparked a great interest in modern and contemporary Japanese ceramics that has ...

A gathering of Kyoto's ancient masters

Apr 30, 2003

A gathering of Kyoto's ancient masters

Before the advent of 20th-century brand-name designers such as Kenzo, Miyake or Mori, there was Kenzan of Kyoto — back in the Edo Period that is. His instantly recognizable signature was not found on any trendy kimono or handbag of the day, however, but ...

Sun, sea, sand and . . . ceramics

| Apr 9, 2003

Sun, sea, sand and . . . ceramics

The Izu Peninsula, just an hour out of Tokyo, has some of the finest scenery in all of Japan. Rugged coastlines, clear views of Mount Fuji, pristine forests with rivers and waterfalls, not to mention the many soothing hot-spring resorts dotting the land, shape ...

The good, the great -- and the freaky

| Mar 12, 2003

The good, the great -- and the freaky

Japan, without a doubt, has the world’s largest number of art museums devoted solely to pottery — more than 500 venues, I’ve heard. That’s a lot of beauty (or not) to take in. Almost all potting centers, major or minor, as well as non-potting ...

Mountain man who walked the path of art

| Feb 12, 2003

Mountain man who walked the path of art

“Born alone, will die alone; come alone, will be gone alone; study alone, walk alone”: This is said to have been the mantra of one of Japan’s greatest 20th-century artists, the boisterous, arrogant and brilliant Rosanjin Kitaoji (1883-1959). Stories of this legendary artist abound, ...

And this year's ceramics winners are. . .

Jan 29, 2003

And this year's ceramics winners are. . .

Awards. We all love them, whether they are for movies, music, or for sports personalities. The art world here in Japan is no different, and there are many awards to honor those who have excelled in their respective art forms. The world of ceramic ...

Redeemers with feet of clay

| Jan 8, 2003

Redeemers with feet of clay

Of the 14 ceramic objects designated as national treasures in Japan, the fact that no fewer than eight are chawan (tea bowls) is a clear sign of their importance in the culture. Of these eight, five are actually Chinese tenmoku brought here in the ...

In search of the real artist-potter Ogata Kenzan

| Dec 11, 2002

In search of the real artist-potter Ogata Kenzan

“Sensational art finds are both desired and feared: desired because they become a form of pleasure and capital; feared because they displace something or somebody. Japan has had its share of such moments.” So writes Professor Richard L. Wilson in his new book, “The ...

Look again at potting traditions

| Nov 13, 2002

Look again at potting traditions

In the world of Japanese ceramics, certain styles have clearly defined identities that have been appreciated down the centuries. Mere mention of Bizen pottery will likely bring to mind a rustic, brown, natural ash-glazed style. Such ideas and images are often fixed. So I ...

Pottery worth giving it all up for

| Oct 9, 2002

Pottery worth giving it all up for

Say the word “Momoyama” to any Japanese pottery connoisseurs, and their eyes will inevitably light up. Most ceramic enthusiasts would give up any Saturday-night vice to own just one Momoyama Shino, Bizen or Karatsu guinomi (sake cup) or chawan (tea bowl). Allow me to ...

Riches of the sea

| Sep 25, 2002

Riches of the sea

Few Japanese ceramic artists have stamped their visions into clay as eloquently as Yoshiro Kimura. Seduced by the Aegean Sea many years ago, Kimura was possessed by the desire to put the sea’s cerulean hue into his exquisite ceramic forms. You can see the ...