Rhiannon Paget

For Rhiannon Paget's latest contributions to The Japan Times, see below:

Seeing the wood for Enku’s Buddhas

Jan 31, 2013

Seeing the wood for Enku’s Buddhas

While a golden age for secular arts, Japan's Edo Period (1603-1867) is broadly dismissed by art historians as a period of stagnation for Buddhist sculpture.

Harnessing the spirit of Kuniyoshi

Dec 20, 2012

Harnessing the spirit of Kuniyoshi

Utagawa Kuniyoshi (1798-1861) belongs to a category of ukiyo-e print artists that have long polarized art historians and connoisseurs for their jarring colors and compositions, cynical depictions of sex and violence, and use of Western pictorial techniques. These so-called “Decadents” were seen to represent ...

The lacquered layers of master Shibata Zeshin

Nov 22, 2012

The lacquered layers of master Shibata Zeshin

With a career spanning Japan’s transition from disintegrating feudal regime to modern nation, Shibata Zeshin (1807-1891) was an exceptional artist, reaching the zenith of both painting and lacquer. Nezu Museum’s exhibition “Shibata Zeshin: From Lacquer Arts to Painting” presents 139 objects from arguably the ...

Exploring what makes the fabric of a nation

Jun 28, 2012

Exploring what makes the fabric of a nation

Held in celebration of the 40th anniversary of the reversion of Okinawa from U.S. to Japanese control, “Bingata: Colors and Shapes of the Ryukyu Dynasty” presents 245 examples of vibrantly colored textiles and stencils produced in the Ryukyu Kingdom, which between the 14th and ...

Japanese art history, through the eye of the collector

May 31, 2012

Japanese art history, through the eye of the collector

“Japanese Masterpieces from the Museum of Fine Arts, Boston” is not a survey of Japanese art, nor is it representative of the vast holdings of the institution. Rather, it is an exhibition that tells of an understanding of Japanese art formulated in the late ...