Salyu 'Photogenic'

Feb 23, 2012

Salyu "Photogenic"

“Photogenic” is the sound of a wrongfully imprisoned inmate who was cleared of all charges being sent back to prison for no good reason. J-pop siren Salyu (born Ayako Mori) has spent the majority of her decade-plus career singing over generic instrumentals, her voice ...

Galileo Galilei 'Portal'

Feb 9, 2012

Galileo Galilei "Portal"

Galileo Galilei’s sophomore album, “Portal,” manages to both document everything that’s wrong with contemporary mainstream Japanese rock music and offer a better way for guitar-centric pop in this county. This Hokkaido group falls through many of the same trapdoors as artists dotting the Oricon ...

Tokyo Jihen 'Color Bars'

Feb 2, 2012

Tokyo Jihen "Color Bars"

Tokyo Jihen’s first five albums have titles relating to types of television programming, “Sports” or “Variety” or “Adult.” The Shiina-Ringo-led group’s sixth album, though, is titled “Color Bars,” after the rainbow lines that grace the TV screen during technical difficulties or dead-air time. It’s ...

Seiho launches Day Tripper label with 'Mercury'

Jan 26, 2012

Seiho launches Day Tripper label with 'Mercury'

Seiho Hayakawa started making music the way a lot of curious kids growing up in the digital age did — by fiddling with his cell-phone ringer. But he eventually plunged headfirst into the world of jazz as a high school student, with a trumpet ...

The Creams 'Panache'

Jan 26, 2012

The Creams "Panache"

Osaka’s The Creams put on one of the better live sets in the Kansai region today, playing the sort of dance-rock that seems like it was plotted out on graph paper in the vein of 1980′s cool kids such as Liquid Liquid or ESG. ...

Best of 2011: Miila and the Geeks 'New Age'

Dec 22, 2011

Best of 2011: Miila and the Geeks "New Age"

Miila and the Geek’s debut album, “New Age,” would be my favorite Japanese album of 2011 even without the postquake context into which it was released. The Tokyo trio took the abrasive sound of no-wave and crafted catchy songs out of it. On tracks ...

Friends 'Let's Get Together Again'

Dec 1, 2011

Friends "Let's Get Together Again"

In an interview with The Japan Times in May, Friends frontman Syouta Kaneko put forth U.S. band The Beach Boys as one of their influences. A glance at the artwork for “Let’s Get Together Again” — found photos of people enjoying the summer — ...

Sapphire Slows 'True Breath'

Nov 10, 2011

Sapphire Slows "True Breath"

The music Sapphire Slows conjures up on her debut EP, “True Breath,” floats between genres: dance music, dream pop and ambient are just a few. However, the element uniting these five songs is really how unsettling they can sound — even at their most ...

At Innit's Osaka parties it's bring your own beats

Nov 10, 2011

At Innit's Osaka parties it's bring your own beats

Osaka’s Innit crew don’t hold your typical club event. Though their parties feature a mix of live performers and DJs, founder Masayuki Kubo wants to attract a particular type of reveler — aspiring artists. The Osaka native offers a ¥500 discount for anyone who ...

Canopies and Drapes 'Violet, Lilly, Rose, Daisy' (Love Action)

Nov 3, 2011

Canopies and Drapes "Violet, Lilly, Rose, Daisy" (Love Action)

The world Canopies And Drapes crafts on her debut EP “Violet, Lilly, Rose, Daisy” feels like a particularly woozy dream, albeit one undercut by the ever-lurking obstacles of reality. The project of Tokyo artist “Chick,” her music hasn’t always sounded like this — she ...

Honeydew 'Don't Know Where'

Oct 13, 2011

Honeydew "Don't Know Where"

“Don’t Know Where” lacks prerelease hype, sub-subgenre classification or needless gimmicks (unless consistant lyrical allusions to driving cars qualifies — autocore, anyone?). Honeydew’s debut album is a simple collection of feedback-assisted indie pop reminiscent of U.S. group Yo La Tengo’s catchier rock songs — ...

Sakanaction 'DocumentaLy'

Oct 13, 2011

Sakanaction "DocumentaLy"

“DocumentaLy,” rock outfit Sakanaction’s fifth full-length, stands as the group’s best effort to date and one of the biggest mainstream triumphs in Japanese music this year. The Tokyo-based band didn’t accomplish this through a sudden change in sound or any other grandiose moves often ...