The art of youth

Dec 21, 2007

The art of youth

An Aladdin’s Cave of small, distinctive retail spaces, the Laforet building at a main crossroads in trendy Harajuku has been a shopping magnet for young people since it opened in 1978. This year, for instance, more than 3,000 lined up outside awaiting the start ...

A drama of our own making

| Dec 16, 2007

A drama of our own making

One recent sunny afternoon, I set off for a performance of “Tokyo/Olympic” by the city’s Port B theater company. Normally, I rush to a theater, deal with the ticket stuff and finally relax when I sink into an overstuffed red velour seat. But that ...

Two plays to cross the generations

Dec 14, 2007

Two plays to cross the generations

Over the winter holiday entertainment season, two musical dramas stand out — one especially for children, the other for everyone, but both are tried-and-tested from previous premiere stagings. For children, the EN theater company is at last, after a 10-year interval, presenting “A Stormy ...

Absurdly serious play

Dec 7, 2007

Absurdly serious play

Keralino Sandroviich is one of Japan’s leading contemporary dramatists. But this multitalented workaholic 44-year-old (also known as Kazumi Kobayashi) not only writes for, directs and runs the Tokyo-based Nylon 100° company he founded in 1985, he also makes films and plays in a punk ...

'Kami no Benki/Kami no Koku'

Dec 6, 2007

"Kami no Benki/Kami no Koku"

Setagaya Public Theatre Dec. 13-16/Dec. 20-23 Performed largely without sets by ghoulishly made-up, near-naked dancers, butoh — which hit an early peak in the 1980s — is one of the few Japanese performing arts recognized the world over. Long the dance form’s leading company, ...

Translator of the universal and the local

Nov 29, 2007

Translator of the universal and the local

In his 1987 book “Ireland Kiko (Travels in Ireland),” the renowned historical novelist and essayist Ryotaro Shiba (1923-96) observed that “the typical Irish character could easily be dramatized,” and that “Ireland is one of the richest countries for the literary arts, with people whose ...

K-Ballet returns

Nov 2, 2007

K-Ballet returns

News in early May this year that Tetsuya Kumakawa had sustained a serious injury on tour in Japan with his K-Ballet Company came as a terrible shock to his legions of fans. Long known the world over as “Teddy” (kuma means “bear” in Japanese), ...

Israeli dance company finds friends in Saitama

Oct 26, 2007

Israeli dance company finds friends in Saitama

With ever-more dance productions being staged at such mainstream Tokyo venues as Theater Cocoon in Shibuya, Setagaya Public Theater in Sangenjaya and even the New National Theater in Hatsudai, dance has clearly become an integral component of the performance-arts scene here. Saitama Arts Center, ...

A film director in the theater

Oct 18, 2007

A film director in the theater

Daisuke Tengan is an acclaimed filmmaker, but search for him on the Internet and the first thing you’ll discover is that he’s the son of director Shohei Imamura, who won the Palme d’ Or at the Cannes Film Festival for “Narayamabushiko” in 1983 and ...

9/11 through Japan's eyes

Oct 12, 2007

9/11 through Japan's eyes

In the Japanese theater world, Rinkogun merits a special mention for its concern for socio-political issues and its focus on increasing audiences’ awareness rather than merely eliciting laughter or tears as many other companies are content to do. The troupe’s latest play, “World Trade ...

Off-stage woman stars in men's theater world

| Oct 7, 2007

Off-stage woman stars in men's theater world

Just as in the realm of politics, in the arts world — and here, particularly regarding the performing arts — different countries adopt different policies depending on their historical and economic circumstances. The United States, for example, takes a free-market stance on the arts ...

Oct 5, 2007

Greek tragedy raises 3,000-year-old questions

Here’s a three-act play with a difference or three — or four, or more. For starters, “Performing Women” comprises three standalone plays, each about a different Ancient Greek tragic heroine, each under a different director and each linked not just by their common theme ...