A place for women

Nov 6, 2008

A place for women

Seian Shima’s “Untitled” (1918), in “Women Artists in Osaka” at the Osaka City Museum of Modern Art till Dec. 7, is a remarkable work. A self-portrait — uncommon in Japanese painting generally — it conforms to no ideal form of beauty, unlike images done ...

Craftsmanship and nationalism

Oct 23, 2008

Craftsmanship and nationalism

‘Utility” is conventionally held up as what separates crafts from art. But what practical purpose is served by the stained-glass panel by Christopher Whall, “Saint Agnes” (1901-10) in “Life and Art: Arts and Crafts from Morris to Mingei” at The National Museum of Modern ...

A selection of cultural others

Oct 16, 2008

A selection of cultural others

We are our own most keenest observers, whether it be in the bathroom mirror or in the department store window. But while the face is humankind’s most distinctive feature, we are also remarkably poor at getting ourselves in perspective. When asked what size their ...

A screen as canvas

May 22, 2008

A screen as canvas

In 1965, pioneering video artist Nam June Paik made the bold statement that “just as the collage technic has replaced oil paint, the cathode ray tube will replace the canvas.” Like any provocation, it has not aged well as the passage of time has ...

May 1, 2008

Chicks on Speed: Art Rules Kyoto 2008

The National Museum of Modern Art, Kyoto Closes May 11; performance on May 3 at 7:30 p.m. “Art Rules Kyoto 2008″ is the Japan installment of a world touring art/fashion/music/performance project — with stops at MOMA New York and the Pompidou Center, Paris — ...

One hell of a time

Apr 24, 2008

One hell of a time

What wasn’t to like about an artist who painted the scroll “Hard Times in Hell,” in which the king of Hell and his coterie of demons ascend to paradise in search of more suitable employment? Laughter from official quarters was decidedly muted when the ...

A simulacrum of the city

Apr 17, 2008

A simulacrum of the city

‘With love from . . .” — it’s the kind of message an expatriate might pen. Implicit in it is the warmth in the offering, a written embrace. As the title of an exhibition by Jarg Geismar at Nagoya’s Gallery HAM that’s running till ...

Detached or mundane?

Mar 27, 2008

Detached or mundane?

The fame that Yosa Buson (1716-1783) enjoyed as a painter and haiku poet in his own lifetime quickly eroded in the years following his death. And while his poetic reputation was restored as early as the 19th century, it was only in the years ...

Feb 28, 2008

The time before the 'starchitects'

A brief respite from the 21st century’s relentless demand for “starchitects” — exemplified by Rem Koolhaas, Tadao Ando and Frank Gehry — can be found at the Museum of Modern Art, Shiga, in “100 Years of W. M. Vories’ Works.” William Vories (1880-1964), an ...

Sculpting the sacred and the profane

Feb 14, 2008

Sculpting the sacred and the profane

Given the boom in all things Edo in recent years — perhaps best exemplified by the explosion of interest in last year’s The Price Collection’s tour of Japan, featuring the artists Ito Jakuchu, Maruyama Okyo and Nagasawa Rosetsu — it is surprising that there ...

Feb 7, 2008

"Takayasu Itoh: From Painting to Environment"

Hyogo Prefectural Museum of Art Closes Mar. 3 Takayasu Itoh’s (1934-1985) transition to sculpture happened when the internal elements of his painting broke forth from the frame. The mini-retrospective “From Painting to Environment” at the Hyogo Prefectural Museum of Art (www.artm.pref.hyogo.jp) flies through Itoh’s ...

Jan 24, 2008

Quixotic quest of a 'revolutionary'

Breaking away from the herd, exploring new artistic directions and assuming time itself will bring the ultimate vindication is one of the great romantic ideas of avant-garde painting in the 20th century. But rather than defining the field for generations ahead, such an artist ...