‘Kazoku no Kuni (Our Homeland)’

Jul 27, 2012

‘Kazoku no Kuni (Our Homeland)’

Many Japanese directors make family dramas — it’s the default setting for serious filmmakers here — but they are usually not telling their own family stories, however fictionalized. One who does is Yang Yong Hi. Born and raised in Osaka’s zainichi (ethnic Korean) community, ...

‘Okami Kodomo no Ame to Yuki (Wolf Children)’

Jul 20, 2012

‘Okami Kodomo no Ame to Yuki (Wolf Children)’

Mamoru Hosoda is a leading contender to succeed Hayao Miyazaki for the title of anime master of masters — the one everyone in the industry, Japanese or foreign, looks up to and steals from. The Miyazaki influence on Hosoda’s own work seems obvious, from ...

‘Heruta Sukeruta (Helter Skelter)’

Jul 13, 2012

‘Heruta Sukeruta (Helter Skelter)’

One of the signs of aging is that the sort of loud music you loved as a teenager now bores and irritates you, if it doesn’t drive you out of the room entirely. Movies can be the same way: Try as I may to ...

Jul 8, 2012

New religions in the land of the rising sun

CELEBRITY GODS: New Religions, Media, and Authority in Occupied Japan, by Benjamin Dorman. University of Hawai’i Press, 2012, 296 pp., $42.00 (hardcover) To those from societies where religion permeates everything from public speeches to private life, the Japanese often appear remarkably free of its ...

‘Kueki Ressha (The Drudgery Train)’

Jul 6, 2012

‘Kueki Ressha (The Drudgery Train)’

Directors often find themselves boxed in by fan expectations. If a filmmaker who is known and loved for quirky pieces does a serious film or two, fans tend to complain he or she is sliding down a slippery slope toward dreaded respectability. One who ...

Director Nobuhiro Yamashita’s commercial film departure

Jul 6, 2012

Director Nobuhiro Yamashita’s commercial film departure

Starting with his first film “Donten Seikatsu (Hazy Life)” from 1999, director Nobuhiro Yamashita explored slackerdom, Japan-style, with a laconically knowing eye and a laidback sense of humor. Rejecting the broad approach of so much local comedy, he developed gags from off-beat, spot-on observations ...

‘Rinjo: Gekijoban (The Last Answer)’

Jun 29, 2012

‘Rinjo: Gekijoban (The Last Answer)’

Japanese murder mysteries, whether on the big or small screen, are typically puzzles, with the characters serving as pieces whose deaths mean little more than Col. Mustard’s in the board game Clue. The detective may be eccentric, hard-boiled or a combination of both, but ...

‘Seesaw’

Jun 22, 2012

‘Seesaw’

Many Japanese indie films never achieve the grail of a theatrical release, and some arrive on theater screens here only after a long journey on the festival circuit. Seeing the latter on a distributor’s lineup years after shooting wrapped, I feel like saying otsukare-sama ...

‘Ai to Makoto (For Love’s Sake)’

Jun 15, 2012

‘Ai to Makoto (For Love’s Sake)’

Takashi Miike has become the Japanese equivalent of Tim Burton, the American director who found the box-office sweet spot between cult quirk and mainstream tastes (though the weak returns of his latest, “Dark Shadows,” suggest he may be losing it). Fans who loved the ...