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Mark Schilling

For Mark Schilling's latest contributions to The Japan Times, see below:

Fifth Okinawa fest celebrates community films

Mar 1, 2013

Fifth Okinawa fest celebrates community films

Since its start in 2009, the Okinawa International Movie Festival has been more than its name implies. It has the usual competition sections: one called Laugh for comedies and another called Peace for dramas, though not all the films fit neatly into these two ...

‘Su-chan Mai-chan Sawako-san’

Mar 1, 2013

‘Su-chan Mai-chan Sawako-san’

Yonkoma manga, or four-cell gag comics, are popular here with both sexes and all ages, but they account for relatively few of the many hit live-action films made from manga. For one thing, it’s not so easy to string all those gags together into ...

‘Ai no Mukidashi’

| Mar 1, 2013

‘Ai no Mukidashi’

Director: Sion Sono Language: Japanese (subtitled in English) Third Window Films of the U.K. has released a region B Blu-ray of “Ai no Mukidashi (Love Exposure),” Sion Sono’s 2008 four-hour black-comic epic about a pure-hearted Catholic (Takahiro Nishijima) who becomes an up-skirt photographer to ...

Sharing films with a master critic

Feb 24, 2013

Sharing films with a master critic

Donald Richie was my friend and mentor for more than 20 years and my inspiration before that. When I was preparing to come to Japan for the first time in 1975, I read many books about the place, but Donald’s masterpiece “The Inland Sea” ...

‘Yokomichi Yonosuke’

Feb 22, 2013

‘Yokomichi Yonosuke’

Plenty of Japanese directors make films about socially awkward or marginal guys: Given all the on-screen examples (as well as their many real-life inspirations), it seems that the onetime country of the samurai has become the land of the otaku and freeter (unemployed or ...

‘My film remixes “The Tempest” ‘

Feb 15, 2013

‘My film remixes “The Tempest” ‘

A Welshman who moved to Nagoya in 1988 and has been based in Japan ever since, John Williams is the rare foreigner who has worked in the Japanese film industry in not only the usual facilitator roles, as line producer and translator, but has ...

‘R-18 Bungakusho Vol. 1: Jijojibaku no Watashi’

Feb 1, 2013

‘R-18 Bungakusho Vol. 1: Jijojibaku no Watashi’

Sex is universal, but kinks can be local. Japanese S&M, at least the varieties I’ve seen in films over the years, is less about black leather and fishnet stockings, more about candle wax and artfully elaborate knots designed to display the flesh of the ...

‘Minasan, Sayonara (See You Tomorrow, Everyone)’

Jan 24, 2013

‘Minasan, Sayonara (See You Tomorrow, Everyone)’

Those directors who return to the same theme over and over commonly use the same actor to embody it. Akira Kurosawa cast Toshiro Mifune as the intense hero in film after film about masculine, if not always traditionally macho, heroism. Juzo Itami starred wife ...

‘Furasshubakku Memorizu 3D (Flashback Memories 3D)’

Jan 17, 2013

‘Furasshubakku Memorizu 3D (Flashback Memories 3D)’

Music documentaries nearly all feature nonmusical moments, such as Bob Dylan sardonically jousting with journalists in "Dont Look Back." "Furasshubakku Memorizu 3D (Flashback Memories 3D)," a documentary of didgeridoo player Goma offers no such moments.