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	<title>The Japan Times &#187; Giovanni Fazio</title>
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		<title>&#8216;Django Unchained&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/03/01/films/django-unchained/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=django-unchained</link>
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		<pubDate>Thu, 28 Feb 2013 15:02:37 +0000</pubDate>
		<dc:creator>Giovanni Fazio</dc:creator>
				<category><![CDATA[Christoph Waltz]]></category>
		<category><![CDATA[Jamie Foxx]]></category>
		<category><![CDATA[Leonardo DiCaprio]]></category>
		<category><![CDATA[Quentin Tarantino]]></category>
		<category><![CDATA[Samuel L Jackson]]></category>

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		<description><![CDATA[Way back in 1992 there appeared a hot new indie flick called &#8220;Reservoir Dogs&#8221; by a then-unknown video-rental clerk turned director called Quentin Tarantino. This newcomer&#8217;s knack was to take a classic genre movie &#8212; the heist flick &#8212; and pump it full of gabby and intensely quotable dialogue, multiple cinephile references, a hipper-than-hip soundtrack [...]]]></description>
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		<title>&#8216;Dark Horse&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/03/01/films/dark-horse/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=dark-horse</link>
		<comments>http://www.japantimes.co.jp/culture/2013/03/01/films/dark-horse/#comments</comments>
		<pubDate>Thu, 28 Feb 2013 15:01:48 +0000</pubDate>
		<dc:creator>Giovanni Fazio</dc:creator>
				<category><![CDATA[Christopher Walken]]></category>
		<category><![CDATA[Jordan Gelber]]></category>
		<category><![CDATA[Mia Farrow]]></category>
		<category><![CDATA[Selma Blair]]></category>
		<category><![CDATA[Todd Solondz]]></category>

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		<description><![CDATA[Todd Solondz never makes comfortable films, and &#8220;Dark Horse&#8221; is no exception, featuring as its protagonist an overweight, overbearing 30-something nebbish named Abe (Jordan Gelber) who&#8217;s a toy-collector nerd and still living at home with his parents. Classic comedy-loser material, in other words, but Solondz (&#8220;Welcome to the Dollhouse,&#8221; &#8220;Happiness&#8221;) takes his usual ambiguous stance, [...]]]></description>
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		<title>&#8216;Obey&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/03/01/films/obey/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=obey</link>
		<comments>http://www.japantimes.co.jp/culture/2013/03/01/films/obey/#comments</comments>
		<pubDate>Thu, 28 Feb 2013 15:01:47 +0000</pubDate>
		<dc:creator>Giovanni Fazio</dc:creator>
		
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		<description><![CDATA[Director: Temujin Doran Language: English Chris Hedges is a Pulitzer Prize-winning correspondent who left the New York Times after it censured him for voicing opposition to the Iraq war. &#8220;Open,&#8221; a documentary based on Hedges&#8217; book &#8220;Death of the Liberal Class,&#8221; is composed of found footage set to the IDM beats of Warp artist Clark, [...]]]></description>
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		<title>&#8216;Martha Marcy May Marlene&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/02/22/films/martha-marcy-may-marlene/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=martha-marcy-may-marlene</link>
		<comments>http://www.japantimes.co.jp/culture/2013/02/22/films/martha-marcy-may-marlene/#comments</comments>
		<pubDate>Thu, 21 Feb 2013 15:00:24 +0000</pubDate>
		<dc:creator>Giovanni Fazio</dc:creator>
				<category><![CDATA[film review]]></category>
		<category><![CDATA[martha marcy may marlene]]></category>

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		<description><![CDATA[You&#8217;re fed up with your family, your upbringing, your school, your social class. You don&#8217;t fit in and are reminded of it. The rules and social norms that other people seem to follow so blindly seem to you phony, trite, suffocating. You develop an attitude, a bit of psychological armor, and step off the treadmill. [...]]]></description>
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		<title>&#8216;Zero Dark Thirty&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/02/15/films/zero-dark-thirty/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=zero-dark-thirty</link>
		<comments>http://www.japantimes.co.jp/culture/2013/02/15/films/zero-dark-thirty/#comments</comments>
		<pubDate>Thu, 14 Feb 2013 15:00:15 +0000</pubDate>
		<dc:creator>Giovanni Fazio</dc:creator>
				<category><![CDATA[Al-Qaeda]]></category>
		<category><![CDATA[Kathryn Bigelow]]></category>
		<category><![CDATA[Osama bin Laden]]></category>

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		<description><![CDATA["Money shot" is a term that originally came from the pornographic-movie industry, referring to, ahem, a male actor fulfilling his contractual obligations. ]]></description>
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		<title>&#8216;Dredd&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/02/08/films/dredd/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=dredd</link>
		<comments>http://www.japantimes.co.jp/culture/2013/02/08/films/dredd/#comments</comments>
		<pubDate>Thu, 07 Feb 2013 15:12:31 +0000</pubDate>
		<dc:creator>Giovanni Fazio</dc:creator>
				<category><![CDATA[Judge Dredd]]></category>

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		<description><![CDATA[This hard-core adaptation of the long-running British sci-fi comic should largely erase memories of Sylvester Stallone's abominable 1995 version.]]></description>
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		<title>Moonrise Kingdom</title>
		<link>http://www.japantimes.co.jp/culture/2013/02/01/films/moonrise-kingdom/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=moonrise-kingdom</link>
		<comments>http://www.japantimes.co.jp/culture/2013/02/01/films/moonrise-kingdom/#comments</comments>
		<pubDate>Thu, 31 Jan 2013 15:00:04 +0000</pubDate>
		<dc:creator>Giovanni Fazio</dc:creator>
				<category><![CDATA[film review]]></category>

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		<description><![CDATA[Wes Anderson is one of those directors who, love him or hate him, has been remarkably consistent. Each film, from &#8220;Rushmore&#8221; right on down, is an artfully constructed and totally hermetic world unto itself, with flawed or absent father-figures, a closet&#8217;s worth of funky-yet-chic pop-culture knickknacks and a saucerful of heartbreak. And yet, each work [...]]]></description>
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		<title>&#8216;Pi&#8217; among &#8216;unfilmable&#8217; books conquered at last on the screen</title>
		<link>http://www.japantimes.co.jp/culture/2013/01/24/films/pi-among-unfilmable-books-conquered-at-last-on-the-screen/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=pi-among-unfilmable-books-conquered-at-last-on-the-screen</link>
		<comments>http://www.japantimes.co.jp/culture/2013/01/24/films/pi-among-unfilmable-books-conquered-at-last-on-the-screen/#comments</comments>
		<pubDate>Thu, 24 Jan 2013 08:05:40 +0000</pubDate>
		<dc:creator>Giovanni Fazio</dc:creator>
				<category><![CDATA[Cloud Atlas]]></category>
		<category><![CDATA[Life of Pi]]></category>
		<category><![CDATA[On the Road]]></category>
		<category><![CDATA[unfilmable books]]></category>

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		<description><![CDATA[There are certain novels they say just can&#8217;t be filmed, but guess what? Most of them have been. &#8220;Dune&#8221;? &#8220;Naked Lunch&#8221;? &#8220;The Virgin Suicides&#8221;? &#8220;The 120 Days of Sodom&#8221;? &#8220;Ulysses&#8221;? All done — &#8220;Ulysses&#8221; twice, even. Call it the inability of a filmmaker to resist a good story, or call it the weakness of a [...]]]></description>
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		<title>&#8216;Life of Pi&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/01/24/films/life-of-pi/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=life-of-pi</link>
		<comments>http://www.japantimes.co.jp/culture/2013/01/24/films/life-of-pi/#comments</comments>
		<pubDate>Thu, 24 Jan 2013 08:04:53 +0000</pubDate>
		<dc:creator>Giovanni Fazio</dc:creator>
				<category><![CDATA[adventure]]></category>
		<category><![CDATA[Ang Lee]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[Life of Pi]]></category>

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		<description><![CDATA[Director Ang Lee&#8217;s adaptation of author Yann Martel&#8217;s Man Booker Prize-winning &#8220;Life of Pi&#8221; feels almost like two films sandwiched into one. In the core, you have the succulent special-effects-driven story of a young Indian survivor of a shipwreck who&#8217;s adrift in a lifeboat with a man-eating Bengal tiger. Yet wrapped around that is a [...]]]></description>
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		<title>&#8216;Armadillo&#8217; / &#8216;Cockfighter&#8217;</title>
		<link>http://www.japantimes.co.jp/culture/2013/01/17/films/armadillo-cockfighter/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=armadillo-cockfighter</link>
		<comments>http://www.japantimes.co.jp/culture/2013/01/17/films/armadillo-cockfighter/#comments</comments>
		<pubDate>Thu, 17 Jan 2013 08:16:01 +0000</pubDate>
		<dc:creator>Giovanni Fazio</dc:creator>
		
		<guid isPermaLink="false">http://awsadmin.japantimes.co.jp/?post_type=culture&#038;p=41801</guid>
		<description><![CDATA[If you go to see &#8220;Armadillo&#8221;, you will be in a cinema watching a war movie. A documentary, yes, but one that&#8217;s safely on the screen as you sit back and watch Danish soldiers deployed in Afghanistan. You will watch those same soldiers try to relieve the boredom of life on a forward operating base [...]]]></description>
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