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	<title>The Japan Times &#187; C.B. Liddell</title>
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		<title>Driven to shoot on the frontlines</title>
		<link>http://www.japantimes.co.jp/culture/2013/02/14/arts/driven-to-shoot-on-the-frontlines/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=driven-to-shoot-on-the-frontlines</link>
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		<pubDate>Wed, 13 Feb 2013 15:02:36 +0000</pubDate>
		<dc:creator>C.B. Liddell</dc:creator>
				<category><![CDATA[Gerda Taro]]></category>
		<category><![CDATA[journalism]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[Robert Capa]]></category>
		<category><![CDATA[war]]></category>
		<category><![CDATA[Yokohama Museum of Art]]></category>

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		<description><![CDATA[The camera never lies — or does it? The double-barreled exhibition now on at the Yokohama Museum of Art suggests that it doesn&#8217;t always tell the truth either. &#8220;Two Photographers: Robert Capa Centennial/ Gerda Taro Retrospective&#8221; is a time-traveling trip back to the middle of the last century — a period of fast-moving political struggle [...]]]></description>
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		<title>Is this the art of noise?</title>
		<link>http://www.japantimes.co.jp/culture/2013/02/07/arts/is-this-the-art-of-noise/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=is-this-the-art-of-noise</link>
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		<pubDate>Wed, 06 Feb 2013 15:00:37 +0000</pubDate>
		<dc:creator>C.B. Liddell</dc:creator>
				<category><![CDATA[artist]]></category>
		<category><![CDATA[Haroon Mirza]]></category>
		<category><![CDATA[installation]]></category>
		<category><![CDATA[Scai The Bathhouse]]></category>
		<category><![CDATA[Tokyo]]></category>

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		<description><![CDATA[If art is something that you want to feel comfortable with in your home, then Haroon Mirza is probably not your man. As the winner of the 2012 Daiwa Foundation Art Prize, British-born, ethnic-Pakistani artist Mirza is being introduced to Tokyo&#8217;s art connoisseurs with a show at SCAI the Bathhouse. But how much demand can [...]]]></description>
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		<title>Hidden truths laid bare in the details of realism</title>
		<link>http://www.japantimes.co.jp/culture/2013/01/31/arts/hidden-truths-laid-bare-in-the-details-of-realism/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=hidden-truths-laid-bare-in-the-details-of-realism</link>
		<comments>http://www.japantimes.co.jp/culture/2013/01/31/arts/hidden-truths-laid-bare-in-the-details-of-realism/#comments</comments>
		<pubDate>Wed, 30 Jan 2013 16:04:18 +0000</pubDate>
		<dc:creator>C.B. Liddell</dc:creator>
				<category><![CDATA[Hoki Museum Trick Art Museum Realism Painting]]></category>

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		<description><![CDATA[With a population of around 35 million, Greater Tokyo is the ultimate &#8220;modernist&#8221; conurbation; a vast megacity, where something as old-fashioned as realist art might seem out-of-date and out-of-place. Maybe so, but on the metropolis&#8217; western and eastern extremities stand two museums that, each in their own way, evoke the power and potential of realism. [...]]]></description>
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		<title>Humble origins of great architectural photography</title>
		<link>http://www.japantimes.co.jp/culture/2013/01/23/arts/humble-origins-of-great-architectural-photography/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=humble-origins-of-great-architectural-photography</link>
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		<pubDate>Wed, 23 Jan 2013 10:37:02 +0000</pubDate>
		<dc:creator>C.B. Liddell</dc:creator>
		
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		<description><![CDATA[The last couple of shows at the Shiodome Museum have been colorful and varied affairs, but the latest exhibition, showcasing Yukio Futagawa&#8217;s photos of traditional Japanese houses taken in 1955, strikes a very different note. There is an absence of color and accompanying objects, and in its place a sense of elegant simplicity and focus, [...]]]></description>
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		<title>Hakuin: The sight of one hand clapping</title>
		<link>http://www.japantimes.co.jp/culture/2013/01/17/arts/hakuin-the-sight-of-one-hand-clapping/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=hakuin-the-sight-of-one-hand-clapping</link>
		<comments>http://www.japantimes.co.jp/culture/2013/01/17/arts/hakuin-the-sight-of-one-hand-clapping/#comments</comments>
		<pubDate>Thu, 17 Jan 2013 06:35:53 +0000</pubDate>
		<dc:creator>C.B. Liddell</dc:creator>
				<category><![CDATA[Hakuin]]></category>
		<category><![CDATA[Zen]]></category>
		<category><![CDATA[Zen Buddhism]]></category>

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		<description><![CDATA[Most people know the famous riddle, &#8220;What is the sound of one hand clapping?&#8221; Many are also aware that it is connected with Zen Buddhism, and some will even know that it is a famous koan by the 18th-century monk Hakuin. A koan, of course, is a paradoxical parable or query used in Zen Buddhism [...]]]></description>
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		<title>Situations that end up spoiling the artistic landscape</title>
		<link>http://www.japantimes.co.jp/culture/2013/01/10/arts/situations-that-end-up-spoiling-the-artistic-landscape/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=situations-that-end-up-spoiling-the-artistic-landscape</link>
		<comments>http://www.japantimes.co.jp/culture/2013/01/10/arts/situations-that-end-up-spoiling-the-artistic-landscape/#comments</comments>
		<pubDate>Thu, 10 Jan 2013 00:00:00 +0000</pubDate>
		<dc:creator>C.B. Liddell</dc:creator>
		
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		<description><![CDATA[Imagine you went to a movie theatre that insisted on doing anything other than showing you an actual movie, or to a restaurant where the waiter did all he could to stop you having an actual meal. This is a situation I sometimes find myself in when visiting art museums, especially if it is a [...]]]></description>
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		<title>Visions that leave little to the imagination</title>
		<link>http://www.japantimes.co.jp/culture/2013/01/03/arts/visions-that-leave-little-to-the-imagination/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=visions-that-leave-little-to-the-imagination</link>
		<comments>http://www.japantimes.co.jp/culture/2013/01/03/arts/visions-that-leave-little-to-the-imagination/#comments</comments>
		<pubDate>Thu, 03 Jan 2013 00:00:17 +0000</pubDate>
		<dc:creator>C.B. Liddell</dc:creator>
		
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		<description><![CDATA[Art can sometimes be surprisingly serious and po-faced, almost as if it were seen as a kind of substitute religion. Luckily, none of this pomposity attaches itself to the work of Sasae Ono, one of Japan&#8217;s most talented artists in the 20th-century, and the subject of the exhibition &#8220;Ono Sasae: Modern Girls on Parade&#8221; at [...]]]></description>
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		<title>Show of hands for the National Museum of Western Art</title>
		<link>http://www.japantimes.co.jp/culture/2012/12/20/arts/show-of-hands-for-the-national-museum-of-western-art/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=show-of-hands-for-the-national-museum-of-western-art</link>
		<comments>http://www.japantimes.co.jp/culture/2012/12/20/arts/show-of-hands-for-the-national-museum-of-western-art/#comments</comments>
		<pubDate>Thu, 20 Dec 2012 00:00:16 +0000</pubDate>
		<dc:creator>C.B. Liddell</dc:creator>
		
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		<description><![CDATA[Sometimes it seems that hands have a mind of their own. They remember where the keys are on a keyboard and which brushstroke in a Chinese character comes next, without too much conscious input from the brain. The instinctive way they work can also give a lot of art its style. The hand is also [...]]]></description>
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		<title>Nature that goes beyond its course</title>
		<link>http://www.japantimes.co.jp/culture/2012/12/13/arts/nature-that-goes-beyond-its-course/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=nature-that-goes-beyond-its-course</link>
		<comments>http://www.japantimes.co.jp/culture/2012/12/13/arts/nature-that-goes-beyond-its-course/#comments</comments>
		<pubDate>Thu, 13 Dec 2012 00:00:21 +0000</pubDate>
		<dc:creator>C.B. Liddell</dc:creator>
		
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		<description><![CDATA[The easiest way to describe this exhibition is &#8220;The meeting of two Mets,&#8221; with the Metropolitan Museum of Art Tokyo serving as a venue for 133 works from its much more renowned New York version, the Metropolitan Museum of Art, known simply as &#8220;The Met.&#8221; But despite all its fame and grandeur, and the copiousness [...]]]></description>
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		<title>What lies behind Ben Shahn&#8217;s lines of the times</title>
		<link>http://www.japantimes.co.jp/culture/2012/12/06/arts/what-lies-behind-ben-shahns-lines-of-the-times/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=what-lies-behind-ben-shahns-lines-of-the-times</link>
		<comments>http://www.japantimes.co.jp/culture/2012/12/06/arts/what-lies-behind-ben-shahns-lines-of-the-times/#comments</comments>
		<pubDate>Thu, 06 Dec 2012 00:00:06 +0000</pubDate>
		<dc:creator>C.B. Liddell</dc:creator>
		
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		<description><![CDATA[When an artist feels compelled to incorporate words and poetry into many of his artworks, we get a sense that he may have taken up the wrong profession. This feeling of being unsettled in his art is something that comes up again and again with the career of the left-wing 20th-century American artist Ben Shahn, [...]]]></description>
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