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C.B. Liddell

For C.B. Liddell's latest contributions to The Japan Times, see below:

There's no need to squint at the work of Guercino

Mar 26, 2015

There's no need to squint at the work of Guercino

History has not been kind to Giovanni Francesco Barbieri, the Italian Baroque painter who is better known by his artistic nickname, Guercino — “the Squinter.” Despite being one of the acknowledged greats of European painting during one of its finest periods, in recent times ...

Impressions of spiritual intimacy

Mar 19, 2015

Impressions of spiritual intimacy

There are two theories about post-impressionist art. One is that it was a continuation of the modernist spirit of the impressionists, with the application of ever-more scientific principles of color and light to the depiction of objects. The other is that post-impressionism was a ...

Art Fair Tokyo seeks to educate

Mar 12, 2015

Art Fair Tokyo seeks to educate

Art Fair Tokyo, the city’s premier art showcase, is always a pleasure to experience, and I’m sure this year’s event, to be held March 20-22 at the Tokyo International Forum, will have much to offer. But part of the fun of following Art Fair ...

The flickering of Japan's contemporary art

Mar 5, 2015

The flickering of Japan's contemporary art

Art used to be about what you could see, but now, thanks to a more “conceptual” approach, it is often about what cannot be seen. Except the artist still has to demonstrate in some way what it is that can’t be seen — in ...

Neo-impressionism: color-coded familiarities

Feb 19, 2015

Neo-impressionism: color-coded familiarities

The term “neo-impressionism” suggests a sequel to impressionism and, just like with movie sequels, there is a faint lowering of expectations. But this is entirely the wrong way to approach “Neo-Impressionism: from Light to Color” at the Tokyo Metropolitan Museum of Art. Some visitors ...

How art deco stripped nudity of eroticism

Feb 12, 2015

How art deco stripped nudity of eroticism

When the Teien Museum of Art reopened late last year, after a period of refurbishment and expansion, the exhibition held was no real test for either the main building or the newly added annex. The art of Rei Naito was so minimalist that it ...

Paris' melancholic life of the party

Feb 5, 2015

Paris' melancholic life of the party

The painter Jules Pascin was the epitome of the cosmopolitan, bohemian artist who came to define Paris of the 1920s. The latest exhibition at the Panasonic Shiodome Museum looks at the life and art of this painter, who was an important feature of the ...

Guiding the landscape of abstract painting

| Jan 29, 2015

Guiding the landscape of abstract painting

As the name suggests, the main concept behind the “Quintet” series of exhibitions that the Sompo Japan Nipponkoa Museum of Art started running last year is to bring together five artists whose art harmonizes well, just like a musical quintet. Another goal, according to ...

Jiro Oyamada's dark side exposes his highlights

Jan 22, 2015

Jiro Oyamada's dark side exposes his highlights

When it comes to selecting “tortured artists” — those driven to create from the deep wells of their souls by immense suffering — the 20th-century Japanese painter Jiro Oyamada must seem like a shoo-in. The Fuchu Art Museum, in the western suburbs of Tokyo, ...

There's method in artistic 'madness'

Jan 8, 2015

There's method in artistic 'madness'

Jiro Takamatsu is not easy to understand. He was an idiosyncratic avant-garde artist who worked with a variety of materials to create arcane art that expressed philosophical ideas. This is immediately off-putting to some and intriguing to others. However, the exhibition “Takamatsu Jiro: Mysteries” ...